{"title":"Jill Soloway《透明》中性别与犹太的跨屏幕：后网络电视与屏幕舞蹈场景","authors":"Hannah Schwadron","doi":"10.18061/IJSD.V10I0.6522","DOIUrl":null,"url":null,"abstract":"This essay analyzes the artful insertion of screendance scenes in Season Two of Jill Soloway’s Amazon hit, Transparent (2014- ), highlighting how bodies and camera choreograph affective connections core to the plot in this televisual portrait of a Jewish American family. In doing so, I underscore a layered screenic trans-ness that conjoins circular manipulations of time and bodily action to overlay transgender and transhistorical experiences as co-constitutive themes.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-05-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Trans-Screens of Gender and Jewishness in Jill Soloway's Transparent: Post-Network TV and the Screendance Scene\",\"authors\":\"Hannah Schwadron\",\"doi\":\"10.18061/IJSD.V10I0.6522\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay analyzes the artful insertion of screendance scenes in Season Two of Jill Soloway’s Amazon hit, Transparent (2014- ), highlighting how bodies and camera choreograph affective connections core to the plot in this televisual portrait of a Jewish American family. In doing so, I underscore a layered screenic trans-ness that conjoins circular manipulations of time and bodily action to overlay transgender and transhistorical experiences as co-constitutive themes.\",\"PeriodicalId\":33311,\"journal\":{\"name\":\"The International Journal of Screendance\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-05-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The International Journal of Screendance\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.18061/IJSD.V10I0.6522\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The International Journal of Screendance","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.18061/IJSD.V10I0.6522","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Trans-Screens of Gender and Jewishness in Jill Soloway's Transparent: Post-Network TV and the Screendance Scene
This essay analyzes the artful insertion of screendance scenes in Season Two of Jill Soloway’s Amazon hit, Transparent (2014- ), highlighting how bodies and camera choreograph affective connections core to the plot in this televisual portrait of a Jewish American family. In doing so, I underscore a layered screenic trans-ness that conjoins circular manipulations of time and bodily action to overlay transgender and transhistorical experiences as co-constitutive themes.
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