{"title":"安达卢西纺织品装饰中的东方图案。13到15世纪","authors":"Laura Rodríguez Peinado","doi":"10.14568/CP2018026","DOIUrl":null,"url":null,"abstract":"Andalusi textiles developed a decorative repertoire of oriental origin. In the second half of twelfth century there was a change in textile decoration. This change has been associated with the religiosity of the Almohads, the new dynasty. Also, it has been considered that the textile production of the Nasrid period is unique and has been related to the architectural decoration, but the Andalusi textile production of the last centuries of the Middle Ages is related to the decorative changes that are produced from the dissemination of fabrics from central Asia, which influence the production of workshops in the Mediterranean Basin.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2019-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Oriental patterns in Andalusi textile ornamentation. 13th-15th centuries\",\"authors\":\"Laura Rodríguez Peinado\",\"doi\":\"10.14568/CP2018026\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Andalusi textiles developed a decorative repertoire of oriental origin. In the second half of twelfth century there was a change in textile decoration. This change has been associated with the religiosity of the Almohads, the new dynasty. Also, it has been considered that the textile production of the Nasrid period is unique and has been related to the architectural decoration, but the Andalusi textile production of the last centuries of the Middle Ages is related to the decorative changes that are produced from the dissemination of fabrics from central Asia, which influence the production of workshops in the Mediterranean Basin.\",\"PeriodicalId\":55942,\"journal\":{\"name\":\"Conservar Patrimonio\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2019-04-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Conservar Patrimonio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14568/CP2018026\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservar Patrimonio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14568/CP2018026","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Oriental patterns in Andalusi textile ornamentation. 13th-15th centuries
Andalusi textiles developed a decorative repertoire of oriental origin. In the second half of twelfth century there was a change in textile decoration. This change has been associated with the religiosity of the Almohads, the new dynasty. Also, it has been considered that the textile production of the Nasrid period is unique and has been related to the architectural decoration, but the Andalusi textile production of the last centuries of the Middle Ages is related to the decorative changes that are produced from the dissemination of fabrics from central Asia, which influence the production of workshops in the Mediterranean Basin.
期刊介绍:
Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.