论虚假的增强代理以及监控资本主义和以用户为中心的设计与之的关系

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Journal of Science and Technology of the Arts Pub Date : 2019-12-29 DOI:10.7559/citarj.v11i2.667
Rodrigo Hernández-Ramírez
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引用次数: 1

摘要

在过去的几年里,人工智能产品出现了激增。这些服务通常以“免费”为卖点,诱使毫无戒心的用户自愿放弃他们生活方方面面的数据。他们的数据是监控资本主义的主要燃料,这是一种新的经济体系,只让所谓的大型科技公司受益,而牺牲了个人隐私和选择自由。本文认为,这些人工智能驱动的产品被想象和设计的方式进一步概括了一种“框架”,这种“框架”鼓励了一种伪装成(一种虚假的)增强代理的与世界的官僚关系。本文表明,通过帮助我们认识到技术作为设计过程的“成为”,技术信息哲学反思可以帮助我们回到技术中介的反馈循环中。
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On False Augmented Agency and What Surveillance Capitalism and User-Centered Design Have to Do With It
In the last years, there has been a surge in AI-powered products. Often marketed as "free", these services operate as hooks to lure unsuspecting users into voluntarily giving up data about every aspect of their life. Their data is the primary fuel of surveillance capitalism, a new economic system that exclusively benefits so-called Big Tech organisations at the expense of personal privacy and freedom of choice. This paper argues the ways these AI-powered products are being imagined and designed is further generalising a kind of, "enframing" that encourages a bureaucratic relationship with the world disguised as (a false sense of) augmented agency. This paper shows that technologically informed philosophical reflections can contribute to getting ourselves back into the feedback loop of technological mediation by helping us recognise our "becoming" with technologies as a design process.
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来源期刊
Journal of Science and Technology of the Arts
Journal of Science and Technology of the Arts HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.40
自引率
0.00%
发文量
0
审稿时长
12 weeks
期刊介绍: The Journal of Science and Technology of the Arts (CITARJ) covers a wide range of topics related to the study and practice of Artistic work approached through Science and Technology, including: -Aesthetics of New Media- Audiovisual and Cinematic Art- Computer Music- Digital Arts - Digital Culture- Generative Art/Systems- Interactive Art - Interactive Multimedia- Interactive Sound- New Interfaces for Digital Expression- New Media Art- Tangible interfaces.
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