慕尼黑和伊斯坦布尔的艺术展览(1909 - 1918):作为德国帝国主义政策一部分的文化事件

Funda Berksoy
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摘要

慕尼黑国际艺术展(1909年、1913年)、慕尼黑穆罕默德艺术杰作展(1910年)和君士坦丁堡慕尼黑工艺美术展(1918年)是奥斯曼帝国晚期和德国艺术环境中的重要事件。在目前关于这一主题的学术文献中,慕尼黑的展览被研究为奥斯曼帝国“现代化运动”的产物,而伊斯坦布尔的德国展览则完全没有被研究过。本文的目的是在德皇威廉二世(1888-1918)统治时期,在奥斯曼帝国制定的德国帝国主义政策的背景下,仔细分析这些展览。本文认为,这些展览构成了德国对外文化政策中与奥斯曼帝国相关的重要组成部分,是德意志国家在该地区增加经济和政治霸权的重要渠道。
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Art Exhibitions in Munich and Istanbul (1909–18): Cultural Events as Part of German Imperialist Policies
Abstract:The X. and XI. International Art Exhibitions in Munich (1909, 1913), the exhibition of Masterpieces of Muhammadan Art in Munich (1910), and the Munich Exhibition of Art and Crafts in Constantinople (1918) are significant events in late Ottoman and German artistic environments. In the current scholarly literature on the subject, the exhibitions in Munich have been studied as products of the “modernization movement” in the Ottoman Empire whereas the German exhibition in Istanbul has remained entirely unexamined. The aim of this article is to analyze these exhibitions closely in the context of German imperialist policies in the Ottoman Empire that were devised during the reign of Kaiser Wilhelm II (r. 1888–1918). This article argues that these exhibitions constituted an important part of German foreign cultural policy in relation to the Ottoman Empire and served as important channels to increase the economic and political hegemony of the German state in the region.
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