{"title":"MERCIER Emmanuelle;DE BOLDT, Ria;皮埃尔·伊夫·凯瑞斯(编):《肉、金子和木头》。利瓦里奇的圣德尼祭坛和16世纪的部分油漆做法的问题","authors":"Jesús Muñiz Petralanda","doi":"10.1387/ars-bilduma.23707","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MERCIER, Emmanuelle; DE BOLDT, Ria; KAIRIS, Pierre-Yves (eds.): Flesh, gold and wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century\",\"authors\":\"Jesús Muñiz Petralanda\",\"doi\":\"10.1387/ars-bilduma.23707\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":40150,\"journal\":{\"name\":\"Ars Bilduma\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-06-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ars Bilduma\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1387/ars-bilduma.23707\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ars Bilduma","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1387/ars-bilduma.23707","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
MERCIER, Emmanuelle; DE BOLDT, Ria; KAIRIS, Pierre-Yves (eds.): Flesh, gold and wood. The Saint-Denis altarpiece in Liège and the question of partial paint practices in the 16th century