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引用次数: 0
摘要
展示建议的制定在馆藏管理和机构的可持续性中起着重要作用。本文介绍了苏格兰国家美术馆(National Galleries of Scotland, NGS)自十年前购置了一台微型展板以来,所采用的展示推荐方法的发展情况。通过共同拥有的艺术家房间巡回收藏作为案例研究,探索了从基于材料的方法扩展到基于价值的方法来减轻光风险的好处:它展示了如何评估物品的相对风险价值并推断相关的保存目标,从而使组织能够在涉及暴露于光的情况下确定其谨慎使用的最佳条件。然后可以按照保存目标的降序设置微衰落测试优先级。本文还展示了如何将风险相对价值分组到更广泛的类别中,以改进这种基于价值的方法的实施。对不同场景进行基准测试可以帮助确定哪个选项最适合收集需求和机构能力。本文还通过比较基于价值和基于材料的方法之间的微衰落成本,讨论了NGS如何从实施拟议的基于价值的方法中受益。
The Continuing Development of Display Recommendations at the National Galleries of Scotland: Exploring a Value-based Decision Strategy for Light Risk Mitigation
ABSTRACT The formulation of display recommendations plays an important role in collections management and in an institution’s sustainability. This paper presents the development of the display recommendations approach adopted at the National Galleries of Scotland (NGS) since the acquisition of a microfader some ten years ago. The benefits of expanding from a material-based to a value-based approach to light risk mitigation are explored using the jointly-owned Artist Rooms touring collection as a case study: it is shown how assessing the relative value at risk of an item and deducing the associated preservation target enables an organisation to define the optimal conditions for its careful use, when exposure to light is involved. Microfading testing priorities can then be set following in decreasing order of preservation target. The paper also shows how grouping the relative value at risk to light into broader categories improves the implementation of such a value-based approach. The use of benchmarking of different scenarios can assist in determining which option best fits collection needs and institutional capacity. The paper also discusses how NGS would benefit from implementing the proposed value-based approach by comparing microfading costs between the value-based and material-based approaches.
期刊介绍:
Studies in Conservation is the premier international peer-reviewed journal for the conservation of historic and artistic works. The intended readership includes the conservation professional in the broadest sense of the term: practising conservators of all types of object, conservation, heritage and museum scientists, collection or conservation managers, teachers and students of conservation, and academic researchers in the subject areas of arts, archaeology, the built heritage, materials history, art technological research and material culture.
Studies in Conservation publishes original work on a range of subjects including, but not limited to, examination methods for works of art, new research in the analysis of artistic materials, mechanisms of deterioration, advances in conservation practice, novel methods of treatment, conservation issues in display and storage, preventive conservation, issues of collection care, conservation history and ethics, and the history of materials and technological processes. Scientific content is not necessary, and the editors encourage the submission of practical articles, review papers, position papers on best practice and the philosophy and ethics of collecting and preservation, to help maintain the traditional balance of the journal. Whatever the subject matter, accounts of routine procedures are not accepted, except where these lead to results that are sufficiently novel and/or significant to be of general interest.