聪明的故事

IF 0.5 0 FILM, RADIO, TELEVISION Studies in Documentary Film Pub Date : 2022-03-29 DOI:10.1080/17503280.2022.2048230
Max Schleser
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引用次数: 1

摘要

虽然在纪录片研究领域有一些出版物涉及数字颠覆和创新,但新兴媒体的子领域需要不断重新审视,因为生产,传播和展示模式暴露在重大变化中,并与纪录片在各种既定和新的方面相互作用。《智能讲故事》更广泛地利用了电影和屏幕制作、屏幕和数字媒体以及创意艺术中的当代数字转型,并将这些与纪录片研究同步。本期特刊还探讨了创造性实践研究项目,以展示纪录片叙事的新方法,重点关注在线、网络和多线性非虚构和纪录片实践。特别强调的是易于理解的讲故事方法,说明经常被忽视的创作过程,如电影VR纪录片中的音频,并探索当前的发展和趋势,如纪录片媒体的人工智能。
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Smart storytelling
ABSTRACT While there are several publications in the field of documentary studies that deal with the digital disruption and innovations, the sub-field of emerging media needs constant re-examination as modes of production, dissemination and exhibition are exposed to significant changes and interact with documentary film in its various established and new facets. Smart Storytelling leverages contemporary digital transformations in Film and Screen Production, Screen and Digital Media and the Creative Arts more generally and synchs these with documentary studies. This special issue also explores creative practice research projects in order to demonstrate novel approaches in documentary storytelling with a focus on online, network and multilinear non-fiction and documentary practice. Particular emphasis is placed on accessible storytelling approaches, illustrating often overlooked creative processes, such as audio in cinematic VR documentary, and exploring current developments and trends such as AI for documentary media.
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来源期刊
Studies in Documentary Film
Studies in Documentary Film FILM, RADIO, TELEVISION-
CiteScore
1.00
自引率
16.70%
发文量
26
期刊介绍: Studies in Documentary Film is the first refereed scholarly journal devoted to the history, theory, criticism and practice of documentary film. In recent years we have witnessed an increased visibility for documentary film through conferences, the success of general theatrical releases and the re-emergence of scholarship in documentary film studies. Studies in Documentary Film is a peer-reviewed journal.
期刊最新文献
‘And then … ’: new media’s conspiracy theories and counternarratives in Loose Change and The Power of Nightmares South Korean Documentary Cinema and remembrance: the past in the present, at Jeonju Film Festival 2024 The image of the absent narrators: personal migrant memories in Žilnik’s docu-experiments Exploring the empathic potential of 360-degree documentary The cinema of Rithy Panh: everything has a soul
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