{"title":"《见证建议指南:与流动生活对话:讲述94年作为一个呼吁与回应的场所》","authors":"Philip Geller","doi":"10.3138/ctr.192.016","DOIUrl":null,"url":null,"abstract":"Abstract:This writing is an offering to consider the way we witness theatrical events and the role of the witness in a theatrical and performative endeavour. Through a dialogue with the performative intervention Streaming Life: Storying the 94 by the Deep Time working group and a conversation with Dr. Jill Carter, this article strives to interrogate the responsibilities of witnessing truth-based art activations in the context of (re)conciliation.","PeriodicalId":42646,"journal":{"name":"CANADIAN THEATRE REVIEW","volume":"192 1","pages":"74 - 77"},"PeriodicalIF":0.2000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Proposed Guide to Witnessing: Dialoguing with Streaming Life: Storying the 94 as a Site for Call-and-Response\",\"authors\":\"Philip Geller\",\"doi\":\"10.3138/ctr.192.016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This writing is an offering to consider the way we witness theatrical events and the role of the witness in a theatrical and performative endeavour. Through a dialogue with the performative intervention Streaming Life: Storying the 94 by the Deep Time working group and a conversation with Dr. Jill Carter, this article strives to interrogate the responsibilities of witnessing truth-based art activations in the context of (re)conciliation.\",\"PeriodicalId\":42646,\"journal\":{\"name\":\"CANADIAN THEATRE REVIEW\",\"volume\":\"192 1\",\"pages\":\"74 - 77\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CANADIAN THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3138/ctr.192.016\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CANADIAN THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3138/ctr.192.016","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
A Proposed Guide to Witnessing: Dialoguing with Streaming Life: Storying the 94 as a Site for Call-and-Response
Abstract:This writing is an offering to consider the way we witness theatrical events and the role of the witness in a theatrical and performative endeavour. Through a dialogue with the performative intervention Streaming Life: Storying the 94 by the Deep Time working group and a conversation with Dr. Jill Carter, this article strives to interrogate the responsibilities of witnessing truth-based art activations in the context of (re)conciliation.