{"title":"黑人情感形式:与加勒特·布拉德利对话*","authors":"Huey Copeland","doi":"10.1162/octo_a_00441","DOIUrl":null,"url":null,"abstract":"Abstract In this conversation—recorded in 2019 for the artist's first solo museum exhibition—New Orleans–based Garrett Bradley discusses her filmic work as well as its relationship to institutional archives and personal communities with art historian Huey Copeland. What emerges is a critical account of Bradley's evolving Black feminist practice—its inspirations, antecedents, and analogues—which puts pressure on filmic conventions to move toward an “affective resymbolization” of America's racial imaginaries and the means through which they might be contested, shared, and visualized for audiences on all sides of the color line.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On Black Affective Forms: A Conversation with Garrett Bradley∗\",\"authors\":\"Huey Copeland\",\"doi\":\"10.1162/octo_a_00441\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract In this conversation—recorded in 2019 for the artist's first solo museum exhibition—New Orleans–based Garrett Bradley discusses her filmic work as well as its relationship to institutional archives and personal communities with art historian Huey Copeland. What emerges is a critical account of Bradley's evolving Black feminist practice—its inspirations, antecedents, and analogues—which puts pressure on filmic conventions to move toward an “affective resymbolization” of America's racial imaginaries and the means through which they might be contested, shared, and visualized for audiences on all sides of the color line.\",\"PeriodicalId\":51557,\"journal\":{\"name\":\"OCTOBER\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OCTOBER\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.1162/octo_a_00441\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OCTOBER","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.1162/octo_a_00441","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
On Black Affective Forms: A Conversation with Garrett Bradley∗
Abstract In this conversation—recorded in 2019 for the artist's first solo museum exhibition—New Orleans–based Garrett Bradley discusses her filmic work as well as its relationship to institutional archives and personal communities with art historian Huey Copeland. What emerges is a critical account of Bradley's evolving Black feminist practice—its inspirations, antecedents, and analogues—which puts pressure on filmic conventions to move toward an “affective resymbolization” of America's racial imaginaries and the means through which they might be contested, shared, and visualized for audiences on all sides of the color line.
期刊介绍：
At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.
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