支撑灯

IF 0.2 N/A LITERARY THEORY & CRITICISM Acta Poetica Pub Date : 2021-01-12 DOI:10.19130/IIFL.AP.2021.1.890

F. Morábito

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引用次数: 0

摘要

这篇文章从个人体验的角度探讨了光的本质，以及它的情感、诗意和哲学含义。即使没有引用柏拉图的话，洞穴的神话也被含蓄地讨论了，根据光的意义，光从字面上照亮和创造归属感，同时也产生阴影，这篇文章不是现实的苍白反映，而是一种真正的记忆练习的独特而短暂的痕迹。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Luz de apoyo

This essay explores the nature of light in terms of personal experience, but also its emotional, poetic, and philosophical implications. Even when Plato is not quoted, the myth of the cave is implicitly discussed, in terms of the meaning of light as that which literally illuminates and creates belonging and, at the same time, also produces shadows, which are not —in this essay— the pale reflection of reality, but rather the unique and ephemeral traces of a true exercise of memory.

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来源期刊

Acta Poetica Multiple-

CiteScore

0.10

自引率

0.00%

发文量

审稿时长

12 weeks

期刊介绍： Acta Poética es una revista semestral, arbitrada y de acceso abierto (open-access), que publica artículos, notas, entrevistas y reseñas originales y traducidas, escritas principalmente en español y otras lenguas. Nuestra publicación pertenece al Centro de Poética del Instituto de Investigaciones Filológicas de la Universidad Nacional Autónoma de México. El propósito de Acta Poética es ofrecer una plataforma intelectual para los estudiosos de instituciones nacionales y extranjeras y, con ello, aportar reflexiones sustantivas al estudio de la literatura, la crítica literaria y la teoría crítica, sobre aspectos de la literatura y otras expresiones culturales. Nuestra revista está dirigida a estudiosos de la literatura y otras disciplinas relacionadas con arte, cultura y sociedad. El contenido de Acta Poética refleja la diversidad de las líneas de investigación del Centro de Poética, en el marco inter y multidisciplinario de la teoría crítica: mito, semántica, semiótica, deconstrucción, artes visuales, retórica, poética, teoría de la recepción, hermenéutica, crítica literaria, literatura comparada, estudios culturales, misticismo, filología, el impacto de las nuevas tecnologías en el discurso, historia de la literatura, cine, fotografía, arquitectura, artes escénicas, música y su relación con otras disciplinas como la filosofía, la historia, la sociología y la teoría política. Actualmente, la revista se publica en formato impreso y digital.