你以为你是谁?

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2021-03-01 DOI:10.3167/CS.2021.330109
Kyoko Matsuyama
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引用次数: 1

摘要

在日本动画《PSYCHO-PASS》中,场景是一个未来的日本,在这里,每个公民的心理健康都受到监测和分析,有时他们可以根据自己的心理健康状况被终止。在这样一个黑暗和反乌托邦的背景下,莎士比亚最血腥的戏剧《提图斯·安德罗尼科斯》中的许多血腥语录中的主题被用于三集的年轻女学生多起谋杀案。这部动画展示了莎士比亚是如何将这起连环谋杀案风格化和精心制作的。本文讨论了提图斯·安德罗尼科斯如何被用来赋予连环谋杀以相关性和复杂性,以及连环谋杀的血腥如何通过文学给观众留下不同的印象。
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Predator or Prey Who Do You Think You Are?
In the Japanese animation PSYCHO-PASS, the setting is a future Japan where every citizen’s mental health is monitored and analysed, and where they can sometimes be terminated according to the state of their mental health. In such a dark and dystopian setting, the motifs from the many bloody quotations of Shakespeare’s bloodiest play Titus Andronicus are used in the three-episode multiple murder case of young schoolgirls. The animation shows how Shakespeare is used to stylise and elaborate the serial murder case. This article discusses how Titus Andronicus is used to give relevance and sophistication to serial murder, and how the bloodiness of a serial murder can give a different impression to audiences by the use of literature.
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来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
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