法恩斯沃斯故居的双重废弃

IF 0.1 0 ARCHITECTURE Materia Arquitectura Pub Date : 2021-04-24 DOI:10.56255/ma.v0i18.407
Victor Navarro Ríos, María Langarita Sánchez
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引用次数: 0

摘要

建筑很少达到其功能过时的地步。通常的说法是“幻灭”:热情的消退揭示了居民、文化群体或整个社会的情感枯竭。考虑到将废弃描述为重建之前的一个阶段的叙述,人们可能会认为它是一种多样性的状态,这种状态是围绕同一建筑对象投射的生命共存的结果。要恢复其中一个过时的东西,可能意味着结束另一个的存在。从这个角度来看,可以设计一个非二元的项目策略,以形成一个更复杂和不对称的共存。在我们这里展示的案例中,法恩斯沃斯住宅的生活岁月,这种可能性来自软建筑的概念,颠覆性和批判性,能够拥抱自身耗尽和不断重塑的复杂性。
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The double Obsolescence of the Farnsworth House
Rarely does architecture reach its functional obsolescence. The usual is disenchantment: an obsolescence of enthusiasm that reveals the emotional exhaustion of its inhabitants, of a cultural group, or a whole society. Given the narratives that describe obsolescence as a stage prior to that of re-founding, one might think about it as a state of multiplicity that results from the coexistence of lives projected around the same built object. To revert one of these obsolescences may suppose ending the existence of the other. From this perspective it is possible to devise a non- binary project strategy to pose a more complex and asymmetric coexistence. In the case that we are presenting here, the living years of the Farnsworth House, this possibility emerges from the conception of a soft architecture, subversive and critical, capable of embracing the complexity of its own exhaustion and constant reinvention.
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