“菜鸟与堕落的精英”:对日本法律剧《Onna wa sorwo yurusanai》中女律师形象的审视

Elizabeth Rajapakshe
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引用次数: 0

摘要

摘要虽然大多数日本法律剧都以男主角为主角,但大量的银幕时间也被分配给了法庭女主角。尽管统计数据显示,女性在日本法律界的代表性仍然不足。调查2000年后的日本法律电视剧发现,电视女性法律工作者符合两种常见的角色类型和相应的叙事弧线:新手律师和精英但“堕落”的律师。虽然大多数节目只有一位这样的女主角,但《Onna wa sore wo yurusanai》(2014)有两位,代表了这两种类型。本文仔细研究了这两个普通角色在这部剧中的形象,以及它们与更大叙事的相关性,后者揭示了女性法律专业人士在驾驭日本男性主导的法律领域时所面临的困难。论文的结论是,女主角在法律剧中的出现越来越多,她的整体形象也越来越正面,这反映了日本政府到2020年提高法律专业人员数量和妇女参与所有公共部门的目标,也表明日本社会对需要给予女性法律专业人员更多的认可和社会接受的态度正在发生变化。
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“The rookie and the fallen elite”: an examination of the portrayal of female lawyers in the Japanese legal drama “Onna wa sore wo yurusanai”
ABSTRACT While most Japanese legal dramas feature a male protagonist as the hero, a significant amount of screen time is allocated to the courtroom heroine as well. This is in spite of statistics that show that women are still underrepresented in the Japanese legal profession. Surveying post-2000 Japanese legal television dramas reveals that televisual female legal professionals conform to two stock character types and corresponding narrative arcs: the rookie lawyer, and the elite but “fallen” lawyer. While most shows only feature one such heroine, Onna wa sore wo yurusanai (2014) features two, representing both types. This paper closely examines how the two stock characters are portrayed in this drama and the relevance of each to the larger narrative which reveals the difficulties female legal professionals face while navigating Japan's male-dominated legal domain. The paper concludes that the increasing presence of the heroine in legal dramas and her overall positive portrayal, reflects the Japanese government's goal of raising the number of legal professionals and women's participation in all public sectors by 2020, and also indicates changing attitudes on the part of Japanese society toward the need to give greater recognition and social acceptance to female legal professionals.
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