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{"title":"恐怖与梦想:亚历山大·罗德琴科和瓦尔瓦拉·斯捷潘诺娃的摄影集,1936-39","authors":"I. Glišić","doi":"10.1353/mod.2021.0057","DOIUrl":null,"url":null,"abstract":"historian and historian specializing in modern Russia and Eastern Europe. Her work explores the history of radical ideas and the relationship between art and politics, with a particular focus on historical and contemporary forms of artistic activism. She is the author of the award-winning book The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930 (Northern Illinois University Press, 2018). modernism / modernity volume twenty eight, number four, pp 707–734. © 2022","PeriodicalId":18699,"journal":{"name":"Modernism/modernity","volume":"28 1","pages":"707 - 734"},"PeriodicalIF":0.3000,"publicationDate":"2022-02-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Terror and Dream: The Photobooks of Aleksandr Rodchenko and Varvara Stepanova, 1936–39\",\"authors\":\"I. Glišić\",\"doi\":\"10.1353/mod.2021.0057\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"historian and historian specializing in modern Russia and Eastern Europe. Her work explores the history of radical ideas and the relationship between art and politics, with a particular focus on historical and contemporary forms of artistic activism. She is the author of the award-winning book The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930 (Northern Illinois University Press, 2018). modernism / modernity volume twenty eight, number four, pp 707–734. © 2022\",\"PeriodicalId\":18699,\"journal\":{\"name\":\"Modernism/modernity\",\"volume\":\"28 1\",\"pages\":\"707 - 734\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-02-11\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Modernism/modernity\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/mod.2021.0057\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Modernism/modernity","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/mod.2021.0057","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
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Terror and Dream: The Photobooks of Aleksandr Rodchenko and Varvara Stepanova, 1936–39
historian and historian specializing in modern Russia and Eastern Europe. Her work explores the history of radical ideas and the relationship between art and politics, with a particular focus on historical and contemporary forms of artistic activism. She is the author of the award-winning book The Futurist Files: Avant-Garde, Politics, and Ideology in Russia, 1905–1930 (Northern Illinois University Press, 2018). modernism / modernity volume twenty eight, number four, pp 707–734. © 2022