原谅打扰

IF 0.9 2区 历史学 0 CLASSICS CLASSICAL ANTIQUITY Pub Date : 2022-04-01 DOI:10.1525/ca.2022.41.1.51
P. Miller
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引用次数: 0

摘要

《蒂迈奥》是一部试图想象宇宙逻各斯的格言。就像造物主一样,读者是模仿的艺术家,诗人(提摩太书28c3),他们在表象、经验和形成的世界中不断地在可理解的本质和他们的相似性之间移动,占据着既非也非的第三域(28a6-b2)。《蒂迈奥》的宇宙论既是一个可能的故事,也是它自身失败的寓言。它发生在khōra的非空间中,一个只有通过私生子推理才能进入的领域,我们只能像在梦中一样感知。《蒂迈奥》是一个无法完成的逻各斯其中每一个设定的时刻都是讽刺和质问的时刻,同时是接受和主动分离的时刻,是合唱空间的时刻。
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Pardon the Interruption
The Timaeus is a muthos that attempts to imagine a logos of the cosmos. Like the demiurge, readers are to be mimetic artists, poets (Tim. 28c3), who move constantly between the intelligible essences and their likenesses in the world of appearance, experience, and becoming, occupying a third register that is neither and both (28a6–b2). The cosmology of the Timaeus is both a likely story and an allegory of its own failure. It takes place within the nonspace of the khōra, a realm accessible only through bastard reasoning that we can perceive only as if in a dream. The Timaeus is an unfinalizable logos in which each moment of positing is also a moment of irony and interrogation, of simultaneous acceptance and active separation, of choric space.
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来源期刊
CiteScore
1.10
自引率
20.00%
发文量
6
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