在莫斯科al-Syi’ri fīDīwān al-Rafi’īli MuṣafāṢādiq al-Rafi‘ī

Farhan Firdaus
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引用次数: 0

摘要

前伊斯兰时代的诗歌被认为是真正的阿拉伯诗歌的基础,其古典形式使用了16石。进入现代,阿拉伯文学面临着西方文学对诗歌编纂的新规则,许多阿拉伯诗人更喜欢这种新规则。在MuṣṭafāṢādiq al-Rafi’ī出生于现代,但他在编纂《Dīwān al-Rafi‘ī》时仍然使用古典诗歌的规则。本研究旨在找出在Dīwān al-Rafi中使用的baḥr和qāfiyah的耻辱。所用的方法是描述性分析。这项研究的结果是,Dīwān al-Rafi’ī中使用的泰铢是十三巴,即al-Ṭawīl、al-Mutaqār ib、al-wāfir、al-Basīṭ、al-Rajz、al-Sarī’、al-Kāmil、al-MadīD、al-Raml、al-Khafif、al-Munsarih、al-Mujtaṣ和al-Mutadār ik。而qāfiyah的耻辱是al-Īṭā'和Sinad al-Ridf
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Mausīqā al-Syi‘ri fī Dīwān al-Rāfi‘ī li Muṣṭafā Ṣādiq al-Rāfi‘ī (Dirāsah Taḥlīliyyah ‘Arūḍiyyah wa Qāfawiyyah)
Poetry in pre-Islamic era is sonsidered the foundation of true Arabic poetry with a classical form that use the 16 baḥr. Entering the modern era, Arabic literature is faced with western literature which has new rules in compiling poetry and many Arab poets prefer that new rule. Muṣṭafā Ṣādiq al-Rāfi‘ī was born in modern era, but he still uses the rules of classical poetry in compiling the Dīwān al-Rāfi‘ī. This study aims to find out the baḥr used and the disgrace of the qāfiyah in the Dīwān al-Rāfi‘ī. The method used is descriptive analysis. The results of this study are that the bahr used in the Dīwān al-Rāfi‘ī is thirteen baḥr, namely al-Ṭawīl, al-Mutaqārib, al-Wāfir, al-Basīṭ, al-Rajz, al-Sarī‘, al-Kāmil, al-Madīd, al-Raml, al-Khafīf, al-Munsarih, al-Mujtaṣ, and al-Mutadārik. While the disgrace of qāfiyah are al-Īṭā' and Sinad al-Ridf
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审稿时长
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期刊最新文献
Al-insya’ Atholabi Fi Surat Al-Hujurat (Dirasah Tahliliyah Balaghiyah) Kesejajaran Realitas Ra’aytu Ramallah karya Mourid Barghouti dan Sejarah Palestina (Tinjauan Strukturalisme Genetik) al-Ibda’at fi Intaji al-A’mal al-Adabiyyah al-Arabiyyah Khilala ‘Ashri at-Tssaurah as-Shina’iyyah ar-Rabi’ah Mausīqā al-Syi‘ri fī Dīwān al-Rāfi‘ī li Muṣṭafā Ṣādiq al-Rāfi‘ī (Dirāsah Taḥlīliyyah ‘Arūḍiyyah wa Qāfawiyyah) Implikasi Teologis Kosakata Mu’arrab dalam Al-Qur’an
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