{"title":"乔治·克拉姆访谈2013-2018","authors":"Yati Durant","doi":"10.1080/07494467.2022.2033574","DOIUrl":null,"url":null,"abstract":"The following discussion fragments between George Crumb (GC) and Yati Durant (YD), transcribed from audio or video recordings made between 2013 and 2018, took place at Crumb’s residence in Media, Pennsylvania. The conversations have been transcribed and edited for clarity without altering the original meanings. In the case of discussions on works or composers, these have been indicated in the section headings or are referred to directly in the interview dialogue.","PeriodicalId":44746,"journal":{"name":"Contemporary Music Review","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Interviews with George Crumb 2013–2018\",\"authors\":\"Yati Durant\",\"doi\":\"10.1080/07494467.2022.2033574\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The following discussion fragments between George Crumb (GC) and Yati Durant (YD), transcribed from audio or video recordings made between 2013 and 2018, took place at Crumb’s residence in Media, Pennsylvania. The conversations have been transcribed and edited for clarity without altering the original meanings. In the case of discussions on works or composers, these have been indicated in the section headings or are referred to directly in the interview dialogue.\",\"PeriodicalId\":44746,\"journal\":{\"name\":\"Contemporary Music Review\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Music Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/07494467.2022.2033574\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Music Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/07494467.2022.2033574","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"MUSIC","Score":null,"Total":0}
The following discussion fragments between George Crumb (GC) and Yati Durant (YD), transcribed from audio or video recordings made between 2013 and 2018, took place at Crumb’s residence in Media, Pennsylvania. The conversations have been transcribed and edited for clarity without altering the original meanings. In the case of discussions on works or composers, these have been indicated in the section headings or are referred to directly in the interview dialogue.
期刊介绍：
Contemporary Music Review provides a forum for musicians and musicologists to discuss recent musical currents in both breadth and depth. The main concern of the journal is the critical study of music today in all its aspects—its techniques of performance and composition, texts and contexts, aesthetics, technologies, and relationships with other disciplines and currents of thought. The journal may also serve as a vehicle to communicate documentary materials, interviews, and other items of interest to contemporary music scholars. All articles are subjected to rigorous peer review before publication. Proposals for themed issues are welcomed.
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