《亚斯明·艾哈迈德的巧克力》(2009)中的电影风格、制作设计与跨种族、跨信仰关系的政治

IF 0.1 0 FILM, RADIO, TELEVISION Short Film Studies Pub Date : 2022-09-01 DOI:10.1386/sfs_00083_1

Ari Purnama

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引用次数: 0

摘要

在这篇文章中，我通过具体观察亚斯明·艾哈迈德（Yasmin Ahmad）的短片《巧克力》（Chocolate）（2009）的制作设计部分来审视它的电影风格。通过运用设计强度理论、电影风格理论的抽象功能和维克托·什克洛夫斯基的陌生化概念，我的研究表明，在《巧克力》中，通过将日常用品作为道具（厨房用具、塑料食品盖、AA电池、婴儿奶瓶和巧克力棒）的图案进行制作设计，其作用不仅仅是表示故事的背景和增强现实效果。它还致力于将当代马来西亚种族间和信仰间关系的矛盾可能性的抽象思想形象化。

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Film style, production design and the politics of interracial–interfaith relationship in Yasmin Ahmad’s Chocolate (2009)

In this article, I examine the film style of Yasmin Ahmad’s short film Chocolate (2009) by looking specifically at its production design component. Through the application of design intensity theory, the abstract function of film style theory and Viktor Shklovsky’s ostranenie (defamiliarization) concept, my examination reveals that production design through the patterning of everyday objects as props (kitchen utensils, a plastic food cover, AA batteries, a baby milk bottle and a chocolate bar) in Chocolate functions more than denoting the setting of the story and enhancing the reality effect. It also works to visualize abstract ideas about the ambivalent possibilities of interracial–interfaith relationships in contemporary Malaysia.

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来源期刊

Short Film Studies FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The main purposes of SFS are: To stimulate ongoing research on individual short films as a basis for a better understanding of the art form To provide a flow of cutting-edge teaching materials that can be used in courses in which short films are either studied or produced, at film schools or universities To offer fresh inspiration to filmmakers and other professionals working with short films in connection with festivals, national film institutes, regional film centres, etc. While the principal focus is on the short fiction film, other classic forms – such as the short documentary, the short experimental film and the short animation film – are also covered from time to time. In each issue, two productions are singled out for comprehensive presentation and close study. For each film, the reader will find production data, an interview with the director, a shot-by-shot breakdown of the film with a still illustrating every shot, a number of peer-reviewed articles that illuminate the film from a variety of perspectives and a link enabling subscribers to view the film.