{"title":"1926年慕尼黑建筑展","authors":"Theo Lechner","doi":"10.1080/17561310.2023.2191755","DOIUrl":null,"url":null,"abstract":"Abstract As an architect, Theo Lechner was committed to traditional Bavarian design languages and constructional techniques. In this article, a review of a building exhibition staged in Munich in 1926, he is very dismissive of the modernism promoted by the Bauhaus and of any hint of architectural internationalism, which he saw as a manifestation of Soviet communism.","PeriodicalId":53629,"journal":{"name":"Art in Translation","volume":"15 1","pages":"43 - 48"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Architecture Exhibition in Munich 1926\",\"authors\":\"Theo Lechner\",\"doi\":\"10.1080/17561310.2023.2191755\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract As an architect, Theo Lechner was committed to traditional Bavarian design languages and constructional techniques. In this article, a review of a building exhibition staged in Munich in 1926, he is very dismissive of the modernism promoted by the Bauhaus and of any hint of architectural internationalism, which he saw as a manifestation of Soviet communism.\",\"PeriodicalId\":53629,\"journal\":{\"name\":\"Art in Translation\",\"volume\":\"15 1\",\"pages\":\"43 - 48\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Art in Translation\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17561310.2023.2191755\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Art in Translation","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17561310.2023.2191755","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Abstract As an architect, Theo Lechner was committed to traditional Bavarian design languages and constructional techniques. In this article, a review of a building exhibition staged in Munich in 1926, he is very dismissive of the modernism promoted by the Bauhaus and of any hint of architectural internationalism, which he saw as a manifestation of Soviet communism.
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