民族主义后的莫维达斯:恩里克塔·朗戈·瓦斯克斯与智利美学

IF 1.1 2区 文学 Q3 COMMUNICATION Rhetoric Society Quarterly Pub Date : 2023-05-24 DOI:10.1080/02773945.2023.2175025
J. Izaguirre
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引用次数: 0

摘要

摘要本文追溯了20世纪60年代末著名活动家Enriqueta Longeaux y Vasquez在智利的女权主义言论。我认为,Longeaux y Vasquez的Chicana movida(s),在性别压迫中展现了女权主义情感,爆发了1969年丹佛青年解放会议期间诞生的Chican@民族主义的专属边界。她的言论产生了广泛的包容性,与20世纪70年代和80年代出现的Chicana电影产生了共鸣,尽管这并不一定一致。Chican@运动报纸El Grito del Norte对她的女权主义修辞美学进行了分析,同时强调了一位Chicana活动家的修辞创造性,她努力将墨西哥裔美国女性纳入Chican@的运动,以及构成Chicana修辞史的Chicana电影的变体。在Longeaux y Vasquez的女权主义修辞中,我们看到了一部Chicana movida,它在排斥的前提下创造了包容,标志着Chican@民族主义。
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Movidas after Nationalism: Enriqueta Longeaux y Vasquez and Chicana Aesthetics
ABSTRACT This essay traces the Chicana feminist rhetoric of prominent activist Enriqueta Longeaux y Vasquez in the late 1960s. I argue that Longeaux y Vasquez’s Chicana movida(s), the enactment of feminist sensibilities amid gendered repression, erupted the exclusive boundaries of Chican@ nationalism birthed during the 1969 Denver Youth Liberation Conference. Her rhetoric generated an expansive inclusivity that resonated, although it did not necessarily align, with Chicana movidas emerging in the 1970s and 1980s. An analysis of the aesthetics of her feminist rhetoric in the Chican@ movement newspaper El Grito del Norte highlights at once the rhetorical inventiveness of a Chicana activist grappling with the inclusion of Mexican American women in Chican@ movement(s) and variations in Chicana movidas constituting Chicana rhetorical history. In Longeaux y Vasquez’s feminist rhetoric, we witness a Chicana movida that invented inclusion from the premises of exclusion marking Chican@ nationalism.
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CiteScore
1.00
自引率
14.30%
发文量
40
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