从黎明到黄昏:埃尔雷网络和有线电视在2010年代的演变

IF 0.1 3区 文学 0 LITERATURE TEXAS STUDIES IN LITERATURE AND LANGUAGE Pub Date : 2021-06-01 DOI:10.7560/tsll63206
Alisa Perren
{"title":"从黎明到黄昏:埃尔雷网络和有线电视在2010年代的演变","authors":"Alisa Perren","doi":"10.7560/tsll63206","DOIUrl":null,"url":null,"abstract":"ABSTRACT:In 2013, El Rey launched as an ad-supported cable channel. Cofounded and majority owned by Robert Rodriguez, El Rey tapped into the filmmaker-entrepreneur’s appeal by targeting both a young Latino audience and a wider audience of genre fans. Unfortunately, shifting industrial, economic, cultural, and technological conditions ultimately led the channel to cease operations in 2020. This article traces El Rey’s evolution from its initial inception up through its programming strategies in the COVID-19 era. El Rey is presented as a small, upstart channel that differentiated itself in an increasingly challenging television landscape. Although larger structural conditions in the end made its survival untenable, the story of El Rey can be seen as representing a new direction for linear cable television in the 2010s.","PeriodicalId":44154,"journal":{"name":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","volume":"63 1","pages":"213 - 232"},"PeriodicalIF":0.1000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"From Dawn Till Dusk: El Rey Network and the Evolution of Cable Television in the 2010s\",\"authors\":\"Alisa Perren\",\"doi\":\"10.7560/tsll63206\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT:In 2013, El Rey launched as an ad-supported cable channel. Cofounded and majority owned by Robert Rodriguez, El Rey tapped into the filmmaker-entrepreneur’s appeal by targeting both a young Latino audience and a wider audience of genre fans. Unfortunately, shifting industrial, economic, cultural, and technological conditions ultimately led the channel to cease operations in 2020. This article traces El Rey’s evolution from its initial inception up through its programming strategies in the COVID-19 era. El Rey is presented as a small, upstart channel that differentiated itself in an increasingly challenging television landscape. Although larger structural conditions in the end made its survival untenable, the story of El Rey can be seen as representing a new direction for linear cable television in the 2010s.\",\"PeriodicalId\":44154,\"journal\":{\"name\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"volume\":\"63 1\",\"pages\":\"213 - 232\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TEXAS STUDIES IN LITERATURE AND LANGUAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7560/tsll63206\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TEXAS STUDIES IN LITERATURE AND LANGUAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7560/tsll63206","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0

摘要

摘要:2013年,El Rey推出了一个广告支持的有线电视频道。El Rey是罗伯特·罗德里格斯(Robert Rodriguez)共同创立并持有多数股权的公司,通过瞄准年轻的拉丁裔观众和更广泛的类型电影粉丝,利用了这位电影制作人兼企业家的吸引力。不幸的是,不断变化的工业、经济、文化和技术条件最终导致该频道在2020年停止运营。本文追溯了El Rey从成立之初到2019冠状病毒病(COVID-19)时代的规划策略的演变。El Rey是一个小型的新贵频道,在日益具有挑战性的电视环境中脱颖而出。虽然更大的结构条件最终使其无法生存,但El Rey的故事可以被视为代表了2010年代线性有线电视的新方向。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
From Dawn Till Dusk: El Rey Network and the Evolution of Cable Television in the 2010s
ABSTRACT:In 2013, El Rey launched as an ad-supported cable channel. Cofounded and majority owned by Robert Rodriguez, El Rey tapped into the filmmaker-entrepreneur’s appeal by targeting both a young Latino audience and a wider audience of genre fans. Unfortunately, shifting industrial, economic, cultural, and technological conditions ultimately led the channel to cease operations in 2020. This article traces El Rey’s evolution from its initial inception up through its programming strategies in the COVID-19 era. El Rey is presented as a small, upstart channel that differentiated itself in an increasingly challenging television landscape. Although larger structural conditions in the end made its survival untenable, the story of El Rey can be seen as representing a new direction for linear cable television in the 2010s.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
50.00%
发文量
14
期刊最新文献
About Our Cover Art Roles That Contain and Restrain: Kazuo Ishiguro’s The Remains of the Day, Klara and the Sun, and Living Love as Subjectification in Kazuo Ishiguro’s Never Let Me Go Archive Notes: An Introduction to the Kazuo Ishiguro Papers Emotional Repression in Kazuo Ishiguro’s Klara and the Sun
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1