骗术/涂鸦:巴特和贝克特的涂鸦理论

IF 0.2 4区 文学 0 LITERATURE PARAGRAPH Pub Date : 2022-07-01 DOI:10.3366/para.2022.0399
Thomas Gould
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引用次数: 0

摘要

这篇文章通过描述和比较罗兰·巴特和塞缪尔·贝克特沉迷于涂鸦和绘画的倾向,进行了罗兰·巴特和塞缪尔·贝克特之间的对话,这两者近年来都是批评性兴趣(甚至公开展览)的主题。在调查这些最近的批评时,文章首先将巴特和贝克特各自的绘画方式与他们写作的理论和美学问题联系起来。然后,文章从基因批评、新唯物主义和“弱理论”的潮流中,提出了阅读涂鸦可能为阅读文本的方式提供信息的方法,并发展了legerdemain(灵巧的手,手工技能)和gaucherie(左撇子,笨拙)这两个互补的手工隐喻。
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Legerdemain/Gaucherie: Doodle Theory with Barthes and Beckett
This article stages a dialogue between Roland Barthes and Samuel Beckett by characterizing and comparing their tendencies to indulge in doodles and drawings, both of which have been the subject of increased critical interest (and even public exhibition) in recent years. Surveying such recent criticism, the article begins by connecting Barthes’s and Beckett’s respective ways of drawing to theoretical and aesthetic concerns of their writing. Then, developing the complementary manual metaphors of legerdemain (sleight of hand, manual skill) and gaucherie (left-handedness, awkwardness), the article draws from currents in genetic criticism, New Materialism and ‘weak theory’ to suggest ways in which reading doodles might inform ways of reading texts.
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来源期刊
PARAGRAPH
PARAGRAPH LITERATURE-
CiteScore
0.30
自引率
0.00%
发文量
22
期刊介绍: Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.
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