{"title":"骗术/涂鸦:巴特和贝克特的涂鸦理论","authors":"Thomas Gould","doi":"10.3366/para.2022.0399","DOIUrl":null,"url":null,"abstract":"This article stages a dialogue between Roland Barthes and Samuel Beckett by characterizing and comparing their tendencies to indulge in doodles and drawings, both of which have been the subject of increased critical interest (and even public exhibition) in recent years. Surveying such recent criticism, the article begins by connecting Barthes’s and Beckett’s respective ways of drawing to theoretical and aesthetic concerns of their writing. Then, developing the complementary manual metaphors of legerdemain (sleight of hand, manual skill) and gaucherie (left-handedness, awkwardness), the article draws from currents in genetic criticism, New Materialism and ‘weak theory’ to suggest ways in which reading doodles might inform ways of reading texts.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Legerdemain/Gaucherie: Doodle Theory with Barthes and Beckett\",\"authors\":\"Thomas Gould\",\"doi\":\"10.3366/para.2022.0399\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article stages a dialogue between Roland Barthes and Samuel Beckett by characterizing and comparing their tendencies to indulge in doodles and drawings, both of which have been the subject of increased critical interest (and even public exhibition) in recent years. Surveying such recent criticism, the article begins by connecting Barthes’s and Beckett’s respective ways of drawing to theoretical and aesthetic concerns of their writing. Then, developing the complementary manual metaphors of legerdemain (sleight of hand, manual skill) and gaucherie (left-handedness, awkwardness), the article draws from currents in genetic criticism, New Materialism and ‘weak theory’ to suggest ways in which reading doodles might inform ways of reading texts.\",\"PeriodicalId\":44142,\"journal\":{\"name\":\"PARAGRAPH\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PARAGRAPH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/para.2022.0399\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PARAGRAPH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/para.2022.0399","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Legerdemain/Gaucherie: Doodle Theory with Barthes and Beckett
This article stages a dialogue between Roland Barthes and Samuel Beckett by characterizing and comparing their tendencies to indulge in doodles and drawings, both of which have been the subject of increased critical interest (and even public exhibition) in recent years. Surveying such recent criticism, the article begins by connecting Barthes’s and Beckett’s respective ways of drawing to theoretical and aesthetic concerns of their writing. Then, developing the complementary manual metaphors of legerdemain (sleight of hand, manual skill) and gaucherie (left-handedness, awkwardness), the article draws from currents in genetic criticism, New Materialism and ‘weak theory’ to suggest ways in which reading doodles might inform ways of reading texts.
期刊介绍:
Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.