{"title":"圣歌编辑和分析程序:一个分析礼拜圣歌的工具","authors":"Emma Hornby, Rebecca Maloy, Paul Rouse","doi":"10.1080/17546559.2021.2023752","DOIUrl":null,"url":null,"abstract":"ABSTRACT Until recently, Old Hispanic chant was rarely subjected to close musical analysis, in part because it is preserved in unpitched notation. Although we can read the contours of the melodies—the up and down movements—they cannot be reliably transcribed into modern notation. This paper introduces the Chant Editing and Analysis Program and shows how it facilitates analysis of the repertory.","PeriodicalId":43210,"journal":{"name":"Journal of Medieval Iberian Studies","volume":"14 1","pages":"82 - 95"},"PeriodicalIF":0.4000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Chant editing and analysis program: a tool for analyzing liturgical chant\",\"authors\":\"Emma Hornby, Rebecca Maloy, Paul Rouse\",\"doi\":\"10.1080/17546559.2021.2023752\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Until recently, Old Hispanic chant was rarely subjected to close musical analysis, in part because it is preserved in unpitched notation. Although we can read the contours of the melodies—the up and down movements—they cannot be reliably transcribed into modern notation. This paper introduces the Chant Editing and Analysis Program and shows how it facilitates analysis of the repertory.\",\"PeriodicalId\":43210,\"journal\":{\"name\":\"Journal of Medieval Iberian Studies\",\"volume\":\"14 1\",\"pages\":\"82 - 95\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Medieval Iberian Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17546559.2021.2023752\",\"RegionNum\":2,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Medieval Iberian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17546559.2021.2023752","RegionNum":2,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
Chant editing and analysis program: a tool for analyzing liturgical chant
ABSTRACT Until recently, Old Hispanic chant was rarely subjected to close musical analysis, in part because it is preserved in unpitched notation. Although we can read the contours of the melodies—the up and down movements—they cannot be reliably transcribed into modern notation. This paper introduces the Chant Editing and Analysis Program and shows how it facilitates analysis of the repertory.
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