Nelson Varas-Díaz, Nedim Hassan, Ross Hagen, Niall Scott
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引用次数: 0
摘要
在一个活跃的夏天之后，第9.2期看到了金属音乐研究领域的光明。2023年6月6日至9日，国际金属音乐研究学会在加拿大蒙特利尔召开了第六届双年研究会议。这次活动由康考迪亚大学的Vivek Venkatesh博士和他的团队组织。这期杂志的主要部分包括五篇文章，讨论了体育场摇滚、著名金属吉他手的身份建构、沉重的概念、交响乐金属对巴洛克风格的借鉴，以及印度尼西亚万隆金属场景的创造。这期杂志包括对流行音乐中涉及纳粹主义的书籍的评论，金属战斗夹克的视觉维度，以及mercy Fate 1984年的专辑《Don 't Break The Oath》。
Issue 9.2 sees the light following an active summer for the field of metal music studies. During 6–9 June 2023, the International Society for Metal Music Studies held its 6th Biennial Research Conference in Montreal, Canada. The event was organized by Dr Vivek Venkatesh and his team at Concordia University. The issue’s main section includes five articles addressing the topics of stadium rock, the identity construction of famous metal guitarists, the idea of heaviness, symphonic metal’s appropriation of the Baroque, and the creation of a metal scene in Bandung, Indonesia. The issue includes reviews for books on references to Nazism in popular music, the visual dimensions of metal battle jackets, and Mercyful Fate’s 1984 album Don’t Break the Oath.
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