不再有“雄辩的沉默”:占领、内战和起义的叙述书写日常暴力和挑战创伤理论

Nora Parr
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引用次数: 2

摘要

在媒体和流动性将创伤带到全球门口的时代,关于创伤的讨论再次出现。理解创伤的框架仍然由欧洲“大战”和美国部署到越南产生的思想决定。这个框架将创伤和可怕视为一种正常的日常体验的“不合时宜”或“其他”,形成了批评者所说的“创伤帝国”。这个帝国限制了如何将战争、暴力和可怕作为当代生活的一部分(或不作为)来谈论和理解。看看两个创伤叙事,Taḥta shams al-ḍuḥIbrahim Nasrallah和Bāʾmithl Baīt。。。伊曼·胡马伊丹(Iman Humaydan)的mthl Baīrút(1997;2008年贝鲁特的Trans B),这篇论文给出了简短的解读,打破了创伤理论的二元性。它展示了重复和开放的结局是如何将日常/创伤转化为日常创伤的,然后探讨了小说如何发展语言和一般结构,从而保持——而不是沉默——讲述可怕的事情。
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No More “Eloquent Silence”: Narratives of Occupation, Civil War, and Intifada Write Everyday Violence and Challenge Trauma Theory
Discourse on trauma has re-emerged in an era where media and mobility bring it to global doorsteps. Frameworks for understanding trauma remain dictated by thinking that emerged from Europe’s “great wars” and American deployment to Vietnam. This framework—which sees trauma and the terrible as “out of time” or “other” to a perceived normal daily experience—has formed what critics call the “empire of trauma.” This empire limits how war, violence, and the terrible can be talked about and understood as part of (or not part of) contemporary life. Looking at two trauma narratives, Taḥta shams al-ḍuḥā (2004) by Ibrahim Nasrallah and Bāʾ mithl Baīt... mthl Baīrūt (1997; Trans B as in Beirut, 2008) by Iman Humaydan, the paper gives short readings that disrupt what has emerged as a binary of trauma theory. It shows how repetition and open endings turn everyday/trauma into everyday trauma, then goes on to explore how the novels develop language and generic structures so that they hold—rather than silence—tellings of the terrible.
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