{"title":"中国民间版画中的装饰边框。深入了解Náprstek博物馆藏品","authors":"L. Olivová","doi":"10.1515/anpm-2017-0018","DOIUrl":null,"url":null,"abstract":"Abstract The article examines the printed borders which adorn a moderate number of Yangliuqing prints from the collections of the Náprstek Museum. They are made up of auspicious elements common in the symbolism of Chinese folk art. Their design differs and falls at least into two groups. The reason behind placing the border on a picture is yet unclear.","PeriodicalId":38203,"journal":{"name":"Annals of the Naprstek Museum","volume":"38 1","pages":"17 - 28"},"PeriodicalIF":0.0000,"publicationDate":"2017-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/anpm-2017-0018","citationCount":"0","resultStr":"{\"title\":\"Decorative Borders in Chinese Folk Prints. Insight into the Náprstek Museum Collections\",\"authors\":\"L. Olivová\",\"doi\":\"10.1515/anpm-2017-0018\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The article examines the printed borders which adorn a moderate number of Yangliuqing prints from the collections of the Náprstek Museum. They are made up of auspicious elements common in the symbolism of Chinese folk art. Their design differs and falls at least into two groups. The reason behind placing the border on a picture is yet unclear.\",\"PeriodicalId\":38203,\"journal\":{\"name\":\"Annals of the Naprstek Museum\",\"volume\":\"38 1\",\"pages\":\"17 - 28\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1515/anpm-2017-0018\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Annals of the Naprstek Museum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/anpm-2017-0018\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Annals of the Naprstek Museum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/anpm-2017-0018","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Decorative Borders in Chinese Folk Prints. Insight into the Náprstek Museum Collections
Abstract The article examines the printed borders which adorn a moderate number of Yangliuqing prints from the collections of the Náprstek Museum. They are made up of auspicious elements common in the symbolism of Chinese folk art. Their design differs and falls at least into two groups. The reason behind placing the border on a picture is yet unclear.