探索新西兰奥特罗阿女中学歌手的认知与经验

Calvin P Baker, Te Oti RĀKENA, S. Purdy
{"title":"探索新西兰奥特罗阿女中学歌手的认知与经验","authors":"Calvin P Baker, Te Oti RĀKENA, S. Purdy","doi":"10.1177/1321103X221103788","DOIUrl":null,"url":null,"abstract":"Female adolescent voice change (FAVC) is characterized by objectively measurable developments in both physiological and acoustical aspects of voice. Despite these observable changes, this period of vocal development has had little representation in both scientific and pedagogical research. Furthermore, few studies have articulated the perceptions and experiences of FAVC from the point of view of the singers themselves. This exploratory study collected data pertaining to vocal function and voice-learning experiences during adolescence from an anonymous cohort of female adolescent singing students in Aotearoa New Zealand. A link to an anonymous online questionnaire was disseminated through national online advertising and snowballing to prospective participants (cis-gender female adolescent singers aged 16–19 years). Using nonparametric statistical tests and qualitative analyses, significant associations were found between objective and perceptual measures of vocal function, voice-learning experience, and lesson delivery context. Participants who take individual singing lessons reported greater self-perceived ease of vocal function than those who take small group lessons. The FAVC is a stage of vocal and psycho-emotional development that may be either healthily facilitated or hindered by the level of student understanding of normal vocal-developmental characteristics as well as lesson delivery format. Data from this study add to a limited pool that aims to quantify the FAVC experience from an experiential perspective and will assist in refining pedagogical strategies for working with female adolescent singers.","PeriodicalId":45954,"journal":{"name":"Research Studies in Music Education","volume":null,"pages":null},"PeriodicalIF":1.3000,"publicationDate":"2022-06-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Exploring perceptions and experiences of female secondary school singers in Aotearoa New Zealand\",\"authors\":\"Calvin P Baker, Te Oti RĀKENA, S. Purdy\",\"doi\":\"10.1177/1321103X221103788\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Female adolescent voice change (FAVC) is characterized by objectively measurable developments in both physiological and acoustical aspects of voice. Despite these observable changes, this period of vocal development has had little representation in both scientific and pedagogical research. Furthermore, few studies have articulated the perceptions and experiences of FAVC from the point of view of the singers themselves. This exploratory study collected data pertaining to vocal function and voice-learning experiences during adolescence from an anonymous cohort of female adolescent singing students in Aotearoa New Zealand. A link to an anonymous online questionnaire was disseminated through national online advertising and snowballing to prospective participants (cis-gender female adolescent singers aged 16–19 years). Using nonparametric statistical tests and qualitative analyses, significant associations were found between objective and perceptual measures of vocal function, voice-learning experience, and lesson delivery context. Participants who take individual singing lessons reported greater self-perceived ease of vocal function than those who take small group lessons. The FAVC is a stage of vocal and psycho-emotional development that may be either healthily facilitated or hindered by the level of student understanding of normal vocal-developmental characteristics as well as lesson delivery format. Data from this study add to a limited pool that aims to quantify the FAVC experience from an experiential perspective and will assist in refining pedagogical strategies for working with female adolescent singers.\",\"PeriodicalId\":45954,\"journal\":{\"name\":\"Research Studies in Music Education\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2022-06-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Research Studies in Music Education\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/1321103X221103788\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Research Studies in Music Education","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/1321103X221103788","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"MUSIC","Score":null,"Total":0}
引用次数: 0

摘要

女性青春期语音变化(FAVC)的特征是语音生理和声学方面的客观可测量的发展。尽管有这些可观察到的变化,这一时期的声乐发展在科学和教学研究中都很少有代表性。此外,很少有研究从歌手自身的角度阐述了FAVC的感知和体验。这项探索性研究收集了来自新西兰奥特罗阿的一组匿名女青少年歌唱学生在青春期的声音功能和声音学习经历的数据。一份匿名在线调查问卷的链接通过全国在线广告和滚雪球式传播给潜在参与者(16-19岁的顺性别女青少年歌手)。使用非参数统计检验和定性分析,发现在声音功能、语音学习经验和课程传递背景的客观和感知测量之间存在显著关联。参加个人歌唱课程的参与者比参加小组课程的参与者自我感觉的声音功能更容易。FAVC是一个声音和心理情感发展的阶段,这一阶段可能会受到学生对正常声音发展特征和授课形式的理解水平的健康促进或阻碍。本研究的数据补充了一个有限的数据库,旨在从经验的角度量化FAVC经验,并将有助于改进与女青少年歌手合作的教学策略。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Exploring perceptions and experiences of female secondary school singers in Aotearoa New Zealand
Female adolescent voice change (FAVC) is characterized by objectively measurable developments in both physiological and acoustical aspects of voice. Despite these observable changes, this period of vocal development has had little representation in both scientific and pedagogical research. Furthermore, few studies have articulated the perceptions and experiences of FAVC from the point of view of the singers themselves. This exploratory study collected data pertaining to vocal function and voice-learning experiences during adolescence from an anonymous cohort of female adolescent singing students in Aotearoa New Zealand. A link to an anonymous online questionnaire was disseminated through national online advertising and snowballing to prospective participants (cis-gender female adolescent singers aged 16–19 years). Using nonparametric statistical tests and qualitative analyses, significant associations were found between objective and perceptual measures of vocal function, voice-learning experience, and lesson delivery context. Participants who take individual singing lessons reported greater self-perceived ease of vocal function than those who take small group lessons. The FAVC is a stage of vocal and psycho-emotional development that may be either healthily facilitated or hindered by the level of student understanding of normal vocal-developmental characteristics as well as lesson delivery format. Data from this study add to a limited pool that aims to quantify the FAVC experience from an experiential perspective and will assist in refining pedagogical strategies for working with female adolescent singers.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
3.00
自引率
37.50%
发文量
37
期刊介绍: Research Studies in Music Education is an internationally peer-reviewed journal that promotes the dissemination and discussion of high quality research in music and music education. The journal encourages the interrogation and development of a range of research methodologies and their application to diverse topics in music education theory and practice. The journal covers a wide range of topics across all areas of music education, and a separate "Perspectives in Music Education Research" section provides a forum for researchers to discuss topics of special interest and to debate key issues in the profession.
期刊最新文献
Digital game–based learning in music education: A systematic review between 2011 and 2023 The meanings of professional development: Perspectives of Malaysian piano teachers Investigating if and how string teachers instruct and support the self-regulation of students’ practice in online lessons The storyline approach as a didactic tool to promote efficacy beliefs of (student) teachers in creative music activities with young children Community musicking and musical cognition among adungu music communities of the Acholi people from Awach, Gulu district, Northern Uganda
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1