{"title":"临时居住:“日常”作为跨文化策展的催化剂","authors":"J. Watkins, Jun-qi Jiang","doi":"10.1386/jcca_00072_7","DOIUrl":null,"url":null,"abstract":"What spaces do we inhabit? How do we become integrated within an unfamiliar community in an unfamiliar territory? Can we ever be fully immersed in a foreign place during art production and exhibition? As I think about the notion of transcultural curating, I start to interrogate questions of belonging and borders.","PeriodicalId":40969,"journal":{"name":"Journal of Contemporary Chinese Art","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Impermanent inhabitations: ‘The everyday’ as a catalyst for transcultural curation\",\"authors\":\"J. Watkins, Jun-qi Jiang\",\"doi\":\"10.1386/jcca_00072_7\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"What spaces do we inhabit? How do we become integrated within an unfamiliar community in an unfamiliar territory? Can we ever be fully immersed in a foreign place during art production and exhibition? As I think about the notion of transcultural curating, I start to interrogate questions of belonging and borders.\",\"PeriodicalId\":40969,\"journal\":{\"name\":\"Journal of Contemporary Chinese Art\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Contemporary Chinese Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jcca_00072_7\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Chinese Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jcca_00072_7","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Impermanent inhabitations: ‘The everyday’ as a catalyst for transcultural curation
What spaces do we inhabit? How do we become integrated within an unfamiliar community in an unfamiliar territory? Can we ever be fully immersed in a foreign place during art production and exhibition? As I think about the notion of transcultural curating, I start to interrogate questions of belonging and borders.
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