{"title":"从帽子里拿出来:皮卡比亚、兰森和曼·雷的《利特海姆斯特》封面","authors":"Elizabeth M. Legge","doi":"10.3366/nfs.2023.0378","DOIUrl":null,"url":null,"abstract":"The magician’s top hat, standardized handwriting, calligraphic flourish and ink blot of Man Ray’s cover for the new series of Littérature in 1922 open questions of style in both fashion and writing. The cover’s emblem-like visual components resonate not only with questions of style and cultural sophistication in such magazines as Monsieur and La Gazette du bon ton, but also with contemporary Dada squabbles with Cubism, and with a Paris Dada bugbear” Gustave Lanson’s magisterial text, Histoire de la littérature française (1894). In his 1924 Manifeste André Breton deftly capitalized on Lansonism in order to turn it against its own premises and devices. Finally, Man Ray’s emblem points to questions at the time of authenticity, authority and falsity.","PeriodicalId":19182,"journal":{"name":"Nottingham French Studies","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pulling It Out of a Hat: Picabia, Lanson and Man Ray's Cover for Littérature\",\"authors\":\"Elizabeth M. Legge\",\"doi\":\"10.3366/nfs.2023.0378\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The magician’s top hat, standardized handwriting, calligraphic flourish and ink blot of Man Ray’s cover for the new series of Littérature in 1922 open questions of style in both fashion and writing. The cover’s emblem-like visual components resonate not only with questions of style and cultural sophistication in such magazines as Monsieur and La Gazette du bon ton, but also with contemporary Dada squabbles with Cubism, and with a Paris Dada bugbear” Gustave Lanson’s magisterial text, Histoire de la littérature française (1894). In his 1924 Manifeste André Breton deftly capitalized on Lansonism in order to turn it against its own premises and devices. Finally, Man Ray’s emblem points to questions at the time of authenticity, authority and falsity.\",\"PeriodicalId\":19182,\"journal\":{\"name\":\"Nottingham French Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nottingham French Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/nfs.2023.0378\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nottingham French Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/nfs.2023.0378","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
引用次数: 0
摘要
这位魔术师的礼帽、标准的笔迹、曼雷1922年新系列《文学》封面上的书法繁荣和墨迹,开启了时尚和写作风格的问题。封面的标志性视觉成分不仅与《Monsieur》和《La Gazette du bonton》等杂志的风格和文化复杂性问题产生共鸣,还与当代达达与立体主义的争论以及古斯塔夫·兰森的权威文本《法国文学史》(1894)中的巴黎达达难题产生共鸣。在1924年的《宣言》中,安德烈·布雷顿巧妙地利用了兰斯主义,以使其与自己的前提和手段背道而驰。最后,Man Ray的徽章指出了真实性、权威性和虚假性的问题。
Pulling It Out of a Hat: Picabia, Lanson and Man Ray's Cover for Littérature
The magician’s top hat, standardized handwriting, calligraphic flourish and ink blot of Man Ray’s cover for the new series of Littérature in 1922 open questions of style in both fashion and writing. The cover’s emblem-like visual components resonate not only with questions of style and cultural sophistication in such magazines as Monsieur and La Gazette du bon ton, but also with contemporary Dada squabbles with Cubism, and with a Paris Dada bugbear” Gustave Lanson’s magisterial text, Histoire de la littérature française (1894). In his 1924 Manifeste André Breton deftly capitalized on Lansonism in order to turn it against its own premises and devices. Finally, Man Ray’s emblem points to questions at the time of authenticity, authority and falsity.
期刊介绍:
Nottingham French Studies is an externally-refereed academic journal which, from Volume 43, 2004, appears three times annually, with at least one special and one general issue each year. Its Editorial Board is drawn from members of the Department of French and Francophone Studies of the University of Nottingham, with the support of an International Advisory Board.