一种认知生态的方法来处理表演艺术中的舞台存在

S. Pini
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引用次数: 1

摘要

表演艺术中的舞台存在概念通常被理解为熟练表演者吸引观众注意力的能力,这是天才演员的特权,他在观众中占据着权力地位。这部作品挑战了舞台存在作为表演者内在品质的经典模式,并提出了一个认知生态人种学框架,该框架考虑了嵌入特定历史、文化和社会环境中的各种社会行动者——公众和表演者——在塑造表演事件中所扮演的角色。通过对不同表演语境中舞台存在概念的人种学和现象学分析,本文提出了一种研究舞台存在的认知生态学方法,并提出了可能的方法论方向。
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Un approccio ecologico cognitivo alla presenza scenica nelle arti della performance
The concept of stage presence in performing arts is generally understood as the ability of the skilled performer to capture the attention of the audience, a prerogative of the talented actor, who occupies a position of power in respect to the audience. This work challenges the classic model of stage presence as an intrinsic quality of the performer and proposes instead a cognitive ecological ethnographic framework which considers the role played by various social actors — the public and the performers, embedded in specific historical, cultural, and social environments — in shaping the performance event. Through an ethnographic and phenomenological analysis of the concept of stage presence in different performative contexts, this work proposes a cognitive ecological approach to the study of stage presence, suggesting possible methodological directions.
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期刊最新文献
Le vie della mimesis tra teatro e musica in Jean-Jacques Rousseau: storia di un apparente paradosso Un approccio ecologico cognitivo alla presenza scenica nelle arti della performance Intercultura, pluralismo ed estetica A Dream, please! L’antropologia performativa del ventennio berlusconiano (1994-2014) Siro Ferrone, La Commedia dell’Arte. Attrici e attori italiani in Europa (XVI-XVIII secolo)
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