火山喷发:波罗米巴苏和复兴的艺术

IF 0.3 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Wasafiri Pub Date : 2023-07-03 DOI:10.1080/02690055.2023.2208959
L. Hingley
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引用次数: 0

摘要

本文考察了印度裔跨媒体艺术家Poulomi Basu的视野和实践。它以巴苏的展览“喷发:十年创作”(SIDE Gallery 2021)为起点,探索她使用模拟和数字摄影、电影、印刷和虚拟现实(VR)作为与印度和尼泊尔女性合作和讲故事的工具。艺术家的采访和随附的图片展示了巴苏在“征服她的土地”(2009-12)项目中的工作和想象力的演变;《血在说话:流放的仪式》(2013-18)和《Centralia》(2010-21)。这些作品揭露了当代的不公正,以及英国殖民时期对土地和权力的划分所带来的剥夺继承权,包括宗教方面的划分,这些作品中的多面故事回应了一个重要的关键时刻。他们回顾了过去,也回顾了目前的后殖民斗争,在这些斗争中,传统的复杂性和矛盾受到了坚决的质疑。
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Eruptions: Poulomi Basu and the art of renewal
This paper considers the vision and practice of Indian born transmedia artist Poulomi Basu. It takes Basu's exhibition ‘Eruptions: a decade of creation' (SIDE Gallery 2021) as a starting point to explore her use of analogue and digital photography, film, print, and virtual reality (VR) as tools for collaboration and storytelling with women in India and Nepal. The artist's interview and accompanying images showcase the evolution of Basu’s work and imagination through the projects To Conquer Her Land (2009-12); Blood Speaks: A Ritual of Exile (2013-18) and Centralia (2010-21). Exposing the contemporary injustices and the disinheritance brought by British colonial divisions of land and power, including those along religious lines, the multifaceted stories within these works respond to an important critical juncture. They look back to the past as well as to the present post-colonial struggles in which the complexities and contradictions of tradition are brought firmly into question.
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来源期刊
Wasafiri
Wasafiri HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
81
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