{"title":"意大利人的情色凝视:威廉·冯·格洛登和德·托德在威尼斯","authors":"Marie. James","doi":"10.1080/09593683.2021.1999611","DOIUrl":null,"url":null,"abstract":"ABSTRACT From Winckelmann and Platen to Goethe and Mann, the cultural narrative of the German ‘Italian journey’ spins a highly intertextual web — one often embedded within a subtext of homoerotic interests. This article expands on the homoerotic iconography of Thomas Mann’s Der Tod in Venedig (1912) by comparing the novella’s visual language to the fin-de-siècle Sicilian photographs of Wilhelm von Gloeden. As both works play into a long-running codification of homosexual desire through the Italian imaginary of classical and Renaissance art, a comparative reading delves into tropes of pederasty, exoticism, and nostalgia.","PeriodicalId":40789,"journal":{"name":"Publications of the English Goethe Society","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Erotic Gaze of the Italienreise: Wilhelm von Gloeden and Der Tod in Venedig\",\"authors\":\"Marie. James\",\"doi\":\"10.1080/09593683.2021.1999611\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT From Winckelmann and Platen to Goethe and Mann, the cultural narrative of the German ‘Italian journey’ spins a highly intertextual web — one often embedded within a subtext of homoerotic interests. This article expands on the homoerotic iconography of Thomas Mann’s Der Tod in Venedig (1912) by comparing the novella’s visual language to the fin-de-siècle Sicilian photographs of Wilhelm von Gloeden. As both works play into a long-running codification of homosexual desire through the Italian imaginary of classical and Renaissance art, a comparative reading delves into tropes of pederasty, exoticism, and nostalgia.\",\"PeriodicalId\":40789,\"journal\":{\"name\":\"Publications of the English Goethe Society\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Publications of the English Goethe Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09593683.2021.1999611\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Publications of the English Goethe Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09593683.2021.1999611","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, GERMAN, DUTCH, SCANDINAVIAN","Score":null,"Total":0}
The Erotic Gaze of the Italienreise: Wilhelm von Gloeden and Der Tod in Venedig
ABSTRACT From Winckelmann and Platen to Goethe and Mann, the cultural narrative of the German ‘Italian journey’ spins a highly intertextual web — one often embedded within a subtext of homoerotic interests. This article expands on the homoerotic iconography of Thomas Mann’s Der Tod in Venedig (1912) by comparing the novella’s visual language to the fin-de-siècle Sicilian photographs of Wilhelm von Gloeden. As both works play into a long-running codification of homosexual desire through the Italian imaginary of classical and Renaissance art, a comparative reading delves into tropes of pederasty, exoticism, and nostalgia.
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