{"title":"大流行摄影:来自印度COVID-19的图像","authors":"P. Nayar","doi":"10.1080/17514517.2022.2040166","DOIUrl":null,"url":null,"abstract":"Abstract This essay examines several photographs taken during the second wave of the COVID-19 pandemic in India in 2021. It argues that the photographs capture an “atmo-terror” (terror from the air). The paper records the evolution of atmo-technics: alongside the dehumanization of the patient/sufferer, acts of resilience were reported and recorded. A “civil contract” of photography may be inferred from them.","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":"15 1","pages":"59 - 75"},"PeriodicalIF":0.2000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pandemic Photography: Images from COVID-19 in India\",\"authors\":\"P. Nayar\",\"doi\":\"10.1080/17514517.2022.2040166\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This essay examines several photographs taken during the second wave of the COVID-19 pandemic in India in 2021. It argues that the photographs capture an “atmo-terror” (terror from the air). The paper records the evolution of atmo-technics: alongside the dehumanization of the patient/sufferer, acts of resilience were reported and recorded. A “civil contract” of photography may be inferred from them.\",\"PeriodicalId\":42826,\"journal\":{\"name\":\"Photography and Culture\",\"volume\":\"15 1\",\"pages\":\"59 - 75\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Photography and Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17514517.2022.2040166\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Photography and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17514517.2022.2040166","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Pandemic Photography: Images from COVID-19 in India
Abstract This essay examines several photographs taken during the second wave of the COVID-19 pandemic in India in 2021. It argues that the photographs capture an “atmo-terror” (terror from the air). The paper records the evolution of atmo-technics: alongside the dehumanization of the patient/sufferer, acts of resilience were reported and recorded. A “civil contract” of photography may be inferred from them.