艾萨克·莱维特的《永恒的安息》及其在现代诗学文本中的阐释

Elena Yu. Muratava
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摘要

本文考察了艾萨克·莱维坦的《永恒的安息》及其在现代诗歌文本中的阐释。任何文化文本,无论是绘画、小说、音乐等,都是在世界重要的现代整合过程的背景下,在一个单一的社会文化空间中发挥作用的。在这方面,研究不同类型的艺术,特别是绘画和诗歌的相互影响和相互丰富是非常相关的。材料的分析采用了观察、描述、分析和解释等主要的通用科学方法。作者探讨了字典中的和平概念,在但丁的《神曲》中,绝对和平是地狱第九圈中的一种非人的寒冷。基督教会对和平的理解被认为是:进入天堂,在那里接受王国,与上帝交流,在那里安息,与天使交流,过永生。“如果一个人不知道什么是悲伤,他就不会知道什么是和平。”18世纪乌克兰哲学家的哲学概念接近于这种理解。格里戈里·萨夫维奇·斯科沃罗达:和平是对一个“真正”的人世间所有苦难的回报,和平代表着永恒,永恒的家。在莱维坦的绘画中,从其上描绘的图像、深色和冷色的优势以及情节(一座教堂和一座废弃的墓地)来看,艺术家并不将永恒的安息理解为死亡,而是一种特殊的精神状态:这是宏观的、微观的,也是圣经对永恒的理解。本文分析了在列维坦绘画影响下产生的诗歌意象世界。
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The Painting of Isaac Levitan “Over Eternal Rest” and its Interpretation in Modern Poetic Texts
The article examines the painting of Isaac Levitan “Over Eternal Rest” and its interpretation in modern poetic texts. Any cultural text, whether it is painting, fiction, music, etc., functions in a single socio-cultural space against the background of important modern integration processes in the world. In this regard, the study of the mutual influence and mutual enrichment of different types of art, in particular painting and poetry, is quite relevant. The main general scientific methods of observation, description, analysis and interpretation were used in the analysis of the material. The author explores the very concept of peace in dictionaries, absolute peace as an inhuman cold in the ninth circle of hell in Dante’s “Divine Comedy”. The understanding of peace in the Christian Church is considered, namely: to enter the Heaven, to accept the kingdom there, to commune with God, to rest in the bliss there, to commune with angels, to live an immortal life. “If a man does not know what sorrow is, he will not know what peace is.” The philosophical concept of the Ukrainian philosopher of the 18th century is close to this understanding. Grigory Savvich Skovoroda: peace is the reward for all the earthly sufferings of a “true” person, peace represents eternity, the eternal home. In Levitan’s painting, judging by the image depicted on it, by the predominance of dark and cold colors, by the very plot (a church and an abandoned cemetery), eternal rest is understood by the artist not as death, but as a special state of mind: this is the macrocosm, the microcosm, and the biblical understanding of eternity. The article analyzes the world of poetic images that arise under the influence of I. Levitan’s painting.
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来源期刊
RUDN Journal of Language Studies, Semiotics and Semantics
RUDN Journal of Language Studies, Semiotics and Semantics Arts and Humanities-Language and Linguistics
CiteScore
1.20
自引率
0.00%
发文量
54
审稿时长
16 weeks
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