地位和薪水：为歌剧院雇佣芭蕾舞团（锡耶纳，1750年）

IF 0.1 3区艺术学 0 DANCE DANCE CHRONICLE Pub Date : 2022-09-02 DOI:10.1080/01472526.2022.2110635

Colleen Reardon

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引用次数: 0

摘要

本文从锡耶纳家庭档案中挖掘新发现的信件，以深入了解影响1750年锡耶纳(意大利)雇佣自由芭蕾舞演员组建芭蕾舞团进行歌剧制作的艺术、经济和心理因素，这是一个信息稀缺的时期。通过关注舞者和经纪人之间的合同谈判和讨价还价策略，文章证实了家庭和职业关系的重要性，并通过揭露18世纪中期托斯卡纳职业舞蹈环境的等级制度，揭示了舞者如何看待自己与同龄人的关系。

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Status and Salary: Hiring a Ballet Troupe for the Opera Il Farnaspe (Siena, 1750)

Abstract This article mines newly discovered letters from a Sienese family archive to give insight into the artistic, economic, and psychological parameters that influenced the hiring of freelance ballerini to form a ballet troupe for an operatic production in Siena (Italy) in 1750, a period for which such information is scarce. By focusing on the contract negotiations and bargaining tactics between dancers and agents, the article confirms the importance of family and professional connections and reveals the ways in which dancers viewed themselves in relation to their peers by laying bare the hierarchies of the mid-eighteenth-century Tuscan professional dance environment.

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DANCE CHRONICLE DANCE-

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0.40

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期刊介绍： For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.

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