《舞台文明:18世纪欧洲法国戏剧的跨国历史》作者:拉胡尔·马科维茨

IF 0.4 3区社会学 N/A HUMANITIES, MULTIDISCIPLINARY EIGHTEENTH-CENTURY STUDIES Pub Date : 2023-06-01 DOI:10.1353/ecs.2023.a900668

Keenan Burton

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引用次数: 0

摘要

正式被奴役的人让我们了解到，在关于小说角色的辩论中，赌注有多高。柯尼希斯快速地提供了令人愉快的近距离阅读，对于不太为人所知的文本，就像他对哈丽特·雅各布斯(Harriet Jacobs)的《一个女奴的生活》(1861)等被广泛讨论的作品一样充满活力，他把这些更晦涩的作品纳入他的论点，而不是“恢复”或更糟糕的是“发现”了一部被遗忘的作品的得意口吻。

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Staging Civilization: A Transnational History of French Theater in Eighteenth-Century Europe by Rahul Markovits (review)

formally enslaved people offer insights into how high the stakes were in the debate about the role of fiction. Koenigs offers delightfully close readings apace and is as animated about lesser known texts as he is about much discussed works like Harriet Jacobs’s Incidents in the Life of a Slave Girl (1861), and he folds these more obscure works into his argument without the smug tone of having “recovered” or, worse, “discovered” a forgotten work.

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来源期刊

EIGHTEENTH-CENTURY STUDIES HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： As the official publication of the American Society for Eighteenth-Century Studies (ASECS), Eighteenth-Century Studies is committed to publishing the best of current writing on all aspects of eighteenth-century culture. The journal selects essays that employ different modes of analysis and disciplinary discourses to explore how recent historiographical, critical, and theoretical ideas have engaged scholars concerned with the eighteenth century.