{"title":"《生活》杂志和摄影的力量，由凯瑟琳·a·布萨德和克里斯汀·格莱什编辑","authors":"Martin A. Berger","doi":"10.1080/00043079.2021.1957379","DOIUrl":null,"url":null,"abstract":"11. “The idiosyncratic look of Rembrandt’s paint . . . entailed a claim to be distinguished, to stand apart, to be himself and, in the format of the mature paintings, to even constitute a self. This self was not forced on Rembrandt by the world around him—as the romantic view of the lonely, rejected artist would have it—but was very much his own invention.” Svetlana Alpers, Rembrandt’s Enterprise: The Studio and the Market (Chicago: University of Chicago Press, 1988), 33. katherine a. bussard and kristen gresh, eds. “Life” Magazine and the Power of Photography New Haven, CT: Yale University Press, 2020. 336 pp.; 250 color and b/w ills. $60.00","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"103 1","pages":"144 - 147"},"PeriodicalIF":0.4000,"publicationDate":"2021-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"“Life” Magazine and the Power of Photography, edited by Katherine A. Bussard and Kristen Gresh\",\"authors\":\"Martin A. Berger\",\"doi\":\"10.1080/00043079.2021.1957379\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"11. “The idiosyncratic look of Rembrandt’s paint . . . entailed a claim to be distinguished, to stand apart, to be himself and, in the format of the mature paintings, to even constitute a self. This self was not forced on Rembrandt by the world around him—as the romantic view of the lonely, rejected artist would have it—but was very much his own invention.” Svetlana Alpers, Rembrandt’s Enterprise: The Studio and the Market (Chicago: University of Chicago Press, 1988), 33. katherine a. bussard and kristen gresh, eds. “Life” Magazine and the Power of Photography New Haven, CT: Yale University Press, 2020. 336 pp.; 250 color and b/w ills. $60.00\",\"PeriodicalId\":46667,\"journal\":{\"name\":\"ART BULLETIN\",\"volume\":\"103 1\",\"pages\":\"144 - 147\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ART BULLETIN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00043079.2021.1957379\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043079.2021.1957379","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
“Life” Magazine and the Power of Photography, edited by Katherine A. Bussard and Kristen Gresh
11. “The idiosyncratic look of Rembrandt’s paint . . . entailed a claim to be distinguished, to stand apart, to be himself and, in the format of the mature paintings, to even constitute a self. This self was not forced on Rembrandt by the world around him—as the romantic view of the lonely, rejected artist would have it—but was very much his own invention.” Svetlana Alpers, Rembrandt’s Enterprise: The Studio and the Market (Chicago: University of Chicago Press, 1988), 33. katherine a. bussard and kristen gresh, eds. “Life” Magazine and the Power of Photography New Haven, CT: Yale University Press, 2020. 336 pp.; 250 color and b/w ills. $60.00
期刊介绍：
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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