“为纳切兹、开罗和圣路易斯而上”:T.S.艾略特的《灰烬星期三》中的Minstrelsy和Conversion

IF 0.1 3区 文学 0 LITERATURE JOURNAL OF MODERN LITERATURE Pub Date : 2022-10-01 DOI:10.2979/jmodelite.45.4.03
J. Pizza
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摘要

摘要:T.S.艾略特的《灰烬星期三》的一个重要灵感来源于《两只黑乌鸦》中的吟游诗人喜剧。这种灵感既令人费解又晦涩难懂,但尚未得到应有的批评关注。通过阅读艾略特对吟游诗人喜剧的兴趣,以及他同时发生的宗教皈依和公民身份的改变,可以更全面地理解诗人试图将早期的影响转化为新的基督教身份。通过这种方式,吟游诗人被证明是他早期皈依前写作的重要灵感来源,正如其他人所展示的那样,也是他后来作为保守派辩论家和宗教诗人的作品的灵感来源。
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"All Aboard for Natchez, Cairo, and St. Louis": Minstrelsy and Conversion in T.S. Eliot's Ash-Wednesday
Abstract:An important inspiration for T.S. Eliot's Ash-Wednesday is the minstrel comedy of The Two Black Crows. Both puzzling and obscure, this inspiration has not yet received the critical attention it deserves. By reading Eliot's interest in minstrel comedy alongside his concurrent religious conversion and change of citizenship, a fuller understanding of the poet's attempt to transform earlier influences into a new, Christian identity can emerge. In this way, minstrelsy proves to be an essential source of inspiration for both his early, pre-conversion writing, as others have shown, as well as for his later work as a conservative polemicist and religious poet.
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