《后现代主义:技术官僚的避难所》。在先进资本主义电影中反映的城市主义和建筑中的社会地位表现(大约1980年-)

Roger Ferrer Ventosa
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引用次数: 1

摘要

在这个文化研究中,我们将讨论过去四十年的电影是如何展示给上层阶级的城市空间的:那些是非常明显的标记空间,上层和下层的交流区域被严格地标记出来。在资本主义晚期,城市的设计是按照明显的两极格局进行的:一小块被围起来的区域留给幸运的精英,而他们周围则是大片的贫民窟。这些年来的电影抓住了这一观点,因为这种艺术是大量观众中思想的传播者。这一分析考虑了不同类型、类型和来源的电影:奇幻电影、戏剧电影、邪典电影、大片、好莱坞电影、欧洲电影、南美电影……建议的部分是观看几部电影,再加上支撑话语的参考书目的理论基础。
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Hortus conclusus posmodernos: el refugio de los tecnócratas. Representaciones del estatus social en el urbanismo y la arquitectura tal y como han quedado reflejadas en el cine del capitalismo avanzado (hacia 1980-)
In this cultural study we will discuss how the cinema from the last four decades has shown the urban space dedicated to the upper classes: those are very distinctly marked spaces and the upper-lower exchange areas are strictly marked out. During late capitalism cities have been designed according to a markedly bipolar scheme, with small fenced areas reserved to the lucky elite, and large slum areas around them. The films from these years have captured this view, as this art is a diffuser of ideas among large audiences. This analysis has taken into account movies from several genres, kinds and origins: fantasy, drama, cult movies, blockbusters, Hollywood, European cinema, South American movies… The proposed part of the viewing of several movies, plus a theoretical basis of bibliographical references that sustains the discourse.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
23
审稿时长
24 weeks
期刊介绍: El Futuro del Pasado: Revista electrónica de Historia aims to be an open space for dialogue and debate among researchers in different areas of knowledge that are intended to study the past in its various aspects. It is a tool for research, reporting and criticism, outside any ideological or partisan patronage of any type. El Futuro del Pasado seeks to help overcome the walls that separate the historians, trying to break down barriers between different related areas of knowledge and establishing collaborative ties for a world in which there is increasing importance to competition.
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