剪断脐带:屠格涅夫处女地中的父权与家族隐喻

IF 0.1 4区 文学 N/A LANGUAGE & LINGUISTICS Journal of Language Literature and Culture Pub Date : 2019-05-04 DOI:10.1080/20512856.2019.1638010
Katya Jordan
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引用次数: 0

摘要

在屠格涅夫的最后一部小说《处女地》(1877)中,他以19世纪六七十年代席卷俄罗斯欧洲部分的一种特殊的民粹主义为主题。政治光谱两端的批评人士都认为,《处女地》未能真实地描绘民粹主义运动;然而,这部小说提供了迄今为止被忽视的重要文化评论。屠格涅夫探讨了父子关系破裂的主题,并巧妙地揭露了俄罗斯政治异见的本质。他将俄罗斯激进知识分子概念化为开明族长的天然儿子,从而质疑将俄罗斯沙皇视为其人民之父的长期传统。在借鉴斯蒂芬·洛弗尔(Stephen Lovell)和其他社会历史学家的研究成果的同时,这项对屠格涅夫作品的研究为俄罗斯政治话语核心的家庭隐喻提供了新的易读性。这些社会历史学家探索了系谱和代际自我认同问题。
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Cutting the Umbilical Cord: Patriarchy and the Family Metaphor in Turgenev's Virgin Soil
ABSTRACT In his final novel, Virgin Soil (1877), Turgenev takes up the theme of the particular kind of populism (Narodnichestvo) that swept across the European part of Russia in the 1860s and 70s. Critics on both ends of the political spectrum believed that Virgin Soil failed to truthfully depict the populist movement; however, the novel provides an important cultural commentary that heretofore has been overlooked. Turgenev explores the theme of fractured father-son relationships and masterfully exposes the nature of political dissent in Russia. He conceptualises Russian radical intelligentsia as a natural son of an enlightened patriarch, thus questioning the long-standing tradition of viewing the Russian tsar as a father to his people. While drawing on the scholarship of Stephen Lovell and other social historians who explore the problem of genealogical and generational self-identification, this study of Turgenev's work provides new legibilities of the family metaphor that lies at the core of Russian political discourse.
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