二十一世纪的福音:保罗·索伦蒂诺的《年轻的教皇》中的耶稣在梵蒂冈

M. Bussières
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引用次数: 0

摘要

摘要:保罗·索伦蒂诺(Paolo Sorrentino)称他的系列剧《年轻的教皇》(The Young Pope)是“一部灵魂惊悚片”。在这部宗教政治剧中,索伦蒂诺探讨了天主教会的命运。天主教会是一位年轻、不妥协、易怒的美国红衣主教当选的教皇。索伦蒂诺的故事线围绕着基督的生活展开,对《新约》的互文引用,对基督教艺术和耶稣电影的视觉暗示,他提供了一本21世纪的福音书,提醒观众福音不仅仅是关于宽容。通过将年轻的教皇描绘成回归的基督,而不是基督形象,他表明保守主义在其信息中与自由主义同样存在。
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A Twenty-First-Century Gospel: Jesus at the Vatican in Paolo Sorrentino’s The Young Pope
Abstract:Paolo Sorrentino called his series The Young Pope “a thriller of the soul.” In this religio-political drama, Sorrentino explores the fortune of the Catholic Church were a young, intransigent, irritable American cardinal elected pope. Building his story line around the life of Christ, with intertextual citations to the New Testament and visual allusions to Christian art and Jesus movies, Sorrentino offers a twenty-first-century gospel to remind the viewer that the gospel is not only about tolerance. By presenting his young pope as the returned Christ, and not as a Christ figure, he shows that conservatism is equally present with liberalism in its message.
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来源期刊
Journal of Religion and Popular Culture
Journal of Religion and Popular Culture Arts and Humanities-Religious Studies
CiteScore
0.30
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27
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