犹太圣殿在现代希伯来文学中的地位(1848-1948):一个大数据分析

IF 0.7 3区 文学 0 HUMANITIES, MULTIDISCIPLINARY Digital Scholarship in the Humanities Pub Date : 2023-03-09 DOI:10.1093/llc/fqad010
Isaac Hershkowitz
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引用次数: 0

摘要

自从它在古代最后被毁以来,对耶路撒冷圣殿的记忆一直是犹太人礼拜仪式和救世主世界观的纽带。本文试图考察犹太圣殿形象在1848-1948年希伯来文学中所扮演的意识形态和文化角色。为此,我建立了一个由同质流派和作者组成的广泛语料库,即那些将寺庙作为主要焦点的流派和作者。从这个语料库中得到的证据表明,寺庙的概念角色没有发生戏剧性的转变;从整体上看,这篇文献中的神庙与近2000年来犹太传统中的历史、宗教和民族主义象征几乎没有区别。本语料库的大部分内容将圣殿置于概念和历史背景中,这些概念和历史环境在所有背景下都与历史圣殿非常相似,而没有将其从犹太民族主义或古典宗教的领域中移除。这些发现违背了我最初的假设,即寺庙的话语在19世纪和20世纪经历了一次蜕变,寺庙的形象已经变成了世界和平、道德完美、智力和科学卓越的抽象象征。
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The status of the Jewish temple in modern Hebrew literature (1848–1948): a big-data analysis
Since its final destruction in antiquity, the memory of the temple in Jerusalem has served as the nexus of Jewish liturgy and messianic worldview. This article has sought to examine the ideological and cultural roles played by the image of the Jewish temple in the Hebrew literature of 1848–1948. Toward this end, I formulated a broad corpus comprised of homogeneous genres and authors, namely those which situate the temple as their main focus. The evidence arising from this corpus suggests that the conceptual role of the temple underwent no dramatic transformations; the temple in this literature, taken as a whole, is mostly indistinguishable from the historical, religious, and nationalistic symbol that featured in the Jewish tradition over nearly 2,000 years. The bulk of the present corpus places the temple in conceptual and historical contexts that are familiar and very similar to those of the historical temple in all its contexts, without removing it from the domains of Jewish nationalism or classical religiosity. These findings contravene my initial presupposition that the discourse of the temple had undergone a metamorphosis in the 19th and 20th centuries, the image of the temple had changed into an abstract symbol for world peace, moral perfection, and intellectual and scientific excellence.
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来源期刊
CiteScore
1.80
自引率
25.00%
发文量
78
期刊介绍: DSH or Digital Scholarship in the Humanities is an international, peer reviewed journal which publishes original contributions on all aspects of digital scholarship in the Humanities including, but not limited to, the field of what is currently called the Digital Humanities. Long and short papers report on theoretical, methodological, experimental, and applied research and include results of research projects, descriptions and evaluations of tools, techniques, and methodologies, and reports on work in progress. DSH also publishes reviews of books and resources. Digital Scholarship in the Humanities was previously known as Literary and Linguistic Computing.
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