{"title":"对不起，不对不起","authors":"Lily Kelting","doi":"10.1017/s1054204323000060","DOIUrl":null,"url":null,"abstract":"Monster Truck’s performances reproduce power dynamics that are at once painful and hurtful. By staging the representational process of dehumanizing black bodies, Monster Truck applies a different strategy than other Freie Szene groups: shining a bright light on dark discourse, selling the audience’s own willing consumption of neocolonial power relationships back to them as art.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"65 - 84"},"PeriodicalIF":0.4000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Sorry Not Sorry\",\"authors\":\"Lily Kelting\",\"doi\":\"10.1017/s1054204323000060\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Monster Truck’s performances reproduce power dynamics that are at once painful and hurtful. By staging the representational process of dehumanizing black bodies, Monster Truck applies a different strategy than other Freie Szene groups: shining a bright light on dark discourse, selling the audience’s own willing consumption of neocolonial power relationships back to them as art.\",\"PeriodicalId\":46402,\"journal\":{\"name\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"volume\":\"67 1\",\"pages\":\"65 - 84\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1054204323000060\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR-The Drama Review-The Journal of Performance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1054204323000060","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Monster Truck’s performances reproduce power dynamics that are at once painful and hurtful. By staging the representational process of dehumanizing black bodies, Monster Truck applies a different strategy than other Freie Szene groups: shining a bright light on dark discourse, selling the audience’s own willing consumption of neocolonial power relationships back to them as art.
期刊介绍：
TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
