{"title":"沙漠中的针","authors":"Héctor Mediavilla","doi":"10.1215/01636545-9847886","DOIUrl":null,"url":null,"abstract":"\n In his photo essay A Needle in the Desert, photographer Héctor Mediavilla poses the question: “Can fashion be a vector for development in a poor country?” Documenting FIMA (the International Fashion Festival in Africa), his work captures the environment, planning, and staging of the festival, focusing specifically on the relationship between people and place.","PeriodicalId":51725,"journal":{"name":"RADICAL HISTORY REVIEW","volume":null,"pages":null},"PeriodicalIF":0.7000,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Needle in the Desert\",\"authors\":\"Héctor Mediavilla\",\"doi\":\"10.1215/01636545-9847886\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\n In his photo essay A Needle in the Desert, photographer Héctor Mediavilla poses the question: “Can fashion be a vector for development in a poor country?” Documenting FIMA (the International Fashion Festival in Africa), his work captures the environment, planning, and staging of the festival, focusing specifically on the relationship between people and place.\",\"PeriodicalId\":51725,\"journal\":{\"name\":\"RADICAL HISTORY REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2022-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RADICAL HISTORY REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/01636545-9847886\",\"RegionNum\":3,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RADICAL HISTORY REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/01636545-9847886","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
In his photo essay A Needle in the Desert, photographer Héctor Mediavilla poses the question: “Can fashion be a vector for development in a poor country?” Documenting FIMA (the International Fashion Festival in Africa), his work captures the environment, planning, and staging of the festival, focusing specifically on the relationship between people and place.
期刊介绍：
Individual subscribers and institutions with electronic access can view issues of Radical History Review online. If you have not signed up, review the first-time access instructions. For more than a quarter of a century, Radical History Review has stood at the point where rigorous historical scholarship and active political engagement converge. The journal is edited by a collective of historians—men and women with diverse backgrounds, research interests, and professional perspectives. Articles in RHR address issues of gender, race, sexuality, imperialism, and class, stretching the boundaries of historical analysis to explore Western and non-Western histories.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
