与诗同行:《科穆尼二重奏》中的友谊诗学

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Italian Culture Pub Date : 2021-01-26 DOI:10.1080/01614622.2020.1844497
E. Coggeshall
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引用次数: 0

摘要

尽管在杜森托晚期,分裂的派系斗争激怒了意大利社区,但友谊的语言主导了中世纪晚期城市中心流传的白话诗,尤其是在滕佐尼。在这些充满争议的交流诗中,白话文作者经常称对方为“amico”,无论他们与对话者有什么关系。在这些交流中使用“友好”的语言违背了对友谊的传统赞美,这种赞美将友谊视为一种明确的道德美德。相反,滕佐尼矛盾的友谊语言既反映了困扰城市生活的口是心非的言论的焦虑,也反映了将社区从党派冲突中拯救出来的希望。这些滕佐尼人共同提出了一种友好对抗的模式,这种模式甚至跨越意识形态界限,努力将争端从暴力的党派之争转化为荣誉游戏中的竞争性较量。
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Jousting with Verse: The Poetics of Friendship in Duecento Comuni
Despite the divisive factionalism that riled Italian comuni in the late Duecento, the language of friendship dominated the vernacular poetry circulating in late medieval urban centers, particularly in tenzoni. In these disputatious exchange poems, vernacular authors frequently referred to one another as “amico,” no matter what relationship they may have had with their interlocutors. The usage of the language of “amicizia” in these exchanges defies conventional praises of friendship, which would conceive of friendship as an unambiguous moral good. Instead, the ambivalent language of friendship in tenzoni reflects both the anxiety of duplicitous speech that plagued urban life and a hope for the salvation of the comune from partisan conflict. These tenzoni collectively propose a model of friendly antagonism, which, in its engagement even across ideological lines, strives to convert dispute from violent partisanship into a competitive joust in the game of honor.
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来源期刊
Italian Culture
Italian Culture HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.30
自引率
0.00%
发文量
21
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