{"title":"回忆录与媒体:阿南特·辛格在当代南非的人物","authors":"K. Tomaselli","doi":"10.1386/jac_00072_1","DOIUrl":null,"url":null,"abstract":"Anant Singh is South Africa’s most prolific film producer. The publication of his memoirs in 2021 occasioned an assessment of this genre in relation to published scholarly research and some other biographies and autobiographies written by contemporary South African filmmakers, radio and television broadcasters. This article mobilizes the Singh story as a framing window through which to make connections with other such works, including studies on the media industry itself, from the early 1980s to 2021. Where autobiographies rarely offer self-reflexive analyses, this article attempts to facilitate a dialogue between different media personalities while simultaneously excavating some hidden transcripts that themselves cast some light on professional practices. The article sketches some of the underlying structural conditions within which the various commentators had to work and on which they comment anecdotally, here examined as latent illustrations of their lived experience.","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Memoir and media: Anant Singh’s personage in contemporary South Africa\",\"authors\":\"K. Tomaselli\",\"doi\":\"10.1386/jac_00072_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Anant Singh is South Africa’s most prolific film producer. The publication of his memoirs in 2021 occasioned an assessment of this genre in relation to published scholarly research and some other biographies and autobiographies written by contemporary South African filmmakers, radio and television broadcasters. This article mobilizes the Singh story as a framing window through which to make connections with other such works, including studies on the media industry itself, from the early 1980s to 2021. Where autobiographies rarely offer self-reflexive analyses, this article attempts to facilitate a dialogue between different media personalities while simultaneously excavating some hidden transcripts that themselves cast some light on professional practices. The article sketches some of the underlying structural conditions within which the various commentators had to work and on which they comment anecdotally, here examined as latent illustrations of their lived experience.\",\"PeriodicalId\":41188,\"journal\":{\"name\":\"Journal of African Cinemas\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-09-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cinemas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jac_00072_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jac_00072_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
Memoir and media: Anant Singh’s personage in contemporary South Africa
Anant Singh is South Africa’s most prolific film producer. The publication of his memoirs in 2021 occasioned an assessment of this genre in relation to published scholarly research and some other biographies and autobiographies written by contemporary South African filmmakers, radio and television broadcasters. This article mobilizes the Singh story as a framing window through which to make connections with other such works, including studies on the media industry itself, from the early 1980s to 2021. Where autobiographies rarely offer self-reflexive analyses, this article attempts to facilitate a dialogue between different media personalities while simultaneously excavating some hidden transcripts that themselves cast some light on professional practices. The article sketches some of the underlying structural conditions within which the various commentators had to work and on which they comment anecdotally, here examined as latent illustrations of their lived experience.
期刊介绍:
The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.