阿姆斯特丹博物馆的“GRAFITTI:纽约遇见水坝”展览作为联系区域

IF 0.1 Q4 SOCIAL SCIENCES, INTERDISCIPLINARY Revista Pos Ciencias Sociais Pub Date : 2020-01-24 DOI:10.18764/2236-9473.V17N33P275-296
Leonardo Gonçalves Ferreira
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引用次数: 0

摘要

本文旨在分析阿姆斯特丹博物馆的展览Graffti:New York meets the Dam,作为一个接触区(CLIFFORD,2016)。本次展览于2015年至2016年与纽约市博物馆合作举办,因为20世纪80年代初,美国和荷兰涂鸦艺术家在阿姆斯特丹举行了一次会议,这深刻地改变了这座城市产生的涂鸦。因此,目的是从展览中分析阿姆斯特丹和纽约涂鸦艺术家之间相遇的不对称和对抗的表现是否存在于展览的叙事结构中,并赋予其接触区的特征。关键词:博物馆。Exposicao。接触区。石墨阿姆斯特丹博物馆的“GRAFITTI:纽约遇见大坝”展览作为联系区摘要本文旨在分析阿姆斯特丹博物馆的涂鸦展览:纽约遇见大坝,作为联系区(CLIFFORD,2016)。该展览于2015年至2016年与纽约市博物馆合作举办,自20世纪80年代初以来,美国和荷兰涂鸦艺术家在阿姆斯特丹举行了一次会议,这深刻地改变了该市的涂鸦创作。因此,目的是以展览为出发点,分析阿姆斯特丹和纽约涂鸦艺术家之间的不对称和对抗是否存在于展览的叙事结构中,并检验接触区的特征。关键词:博物馆。展览品接触区。涂鸦。
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A EXPOSIÇÃO “GRAFITTI: NEW YORK MEETS THE DAM” DO MUSEU DE AMSTERDÃ ENQUANTO UMA ZONA DE CONTATO
O presente artigo objetiva analisar a exposicao Graffti: New York meets the Dam , do Museu de Amsterda, enquanto uma zona de contato (CLIFFORD, 2016). Esta exposicao foi realizada entre 2015 e 2016, em parceria com o Museu da cidade de Nova York, uma vez que no inicio da decada de 1980, ocorreu um encontro, em Amsterda, entre grafteiros estadunidenses e holandeses, o que modifcou profundamente o grafte produzido na cidade. O proposito, assim sendo, e analisar, a partir da exposicao, se as representacoes das assimetrias e dos confrontos do encontro entre grafteiros de Amsterda e de Nova York estao presentes na construcao narrativa da exposicao e conferem a mesma o carater de uma zona de contato. Palavras-chave : Museus. Exposicao. Zona de contato. Grafite. “GRAFITTI: NEW YORK MEETS THE DAM” EXHIBITION AT AMSTERDAM MUSEUM AS A CONTACT ZONE Summary This article aims to analyze the Graffiti exhibition: New York meets the Dam, of the Amsterdam Museum, as a contact zone (CLIFFORD, 2016). This exhibition was held between 2015 and 2016 in partnership with the New York City Museum, since the early 1980s there was a meeting between American and Dutch graffiti artists in Amsterdam, which profoundly changed the graffiti produced in the city. The purpose, therefore, is to analyze, taking the exhibition as a starting point, if the representations of the asymmetries and the confrontations of the meeting between graffiti artists of Amsterdam and New York are present in the narrative construction of the exhibition and confer to it the character of a contact zone. Keywords : Museums. Exhibition. Contact zone. Graffiti.
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Revista Pos Ciencias Sociais
Revista Pos Ciencias Sociais SOCIAL SCIENCES, INTERDISCIPLINARY-
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