诺曼·刘易斯

Lucy H. Partman
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引用次数: 1

摘要

众所周知,非裔美国艺术家诺曼·刘易斯(1909-79)是一位精通许多语言和视觉习语的复杂艺术家。他的艺术表现出对人际互动和内在互动的兴趣。刘易斯研究了人们是如何交谈的,个人在团体中的运作方式,以及人群的流动。他的作品迫使观众仔细观察他人和自己。我们如何与他人互动?在这些交流过程中会发生什么?他对微观和宏观尺度上的人类互动的兴趣尚未得到深入分析。对于许多抽象表现主义者来说,个人和个人体验是至高无上的,而刘易斯则关注社区和公共。他希望与观众交流,并坚持不懈地寻找最适合这份工作的视觉语言。他的语言和视觉传达方法借鉴了他使用的许多白话。
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Norman Lewis
African American artist Norman Lewis (1909–79) was known to be a complex conversant in command of many verbal and visual idioms. His art reveals an interest in inter- and intrapersonal interactions. Lewis studied how people conversed, the way individuals operated in Groups, and the movement of crowds. His work compels viewers to look carefully at other people and themselves. How do we interact with others and what happens durinG those exchanGes? His interest in human interaction on the micro and macro scales has not yet received in-depth analysis. When for many abstract expressionists the individual and individual experience was paramount, Lewis was concerned with the community and the communal. He desired to communicate with the viewer and persistently souGht to confiGure the most fittinG visual lanGuaGe for the Job. His lanGuaGe and approach to visual communication took from the many vernaculars he used.
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来源期刊
CiteScore
0.30
自引率
0.00%
发文量
13
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