忽略中的Hyperzographica揭示绘画与写作的空间分离——个案研究

Pub Date : 2022-08-08 DOI:10.3390/reports5030032
M. Camenzind, A. K. Eberhard-Moscicka, D. Cazzoli, R. Müri
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引用次数: 0

摘要

这篇论文描绘并描述了一位54岁的右半球急性中风患者在中风后创作的引人注目的画作。通过对绘画的结构分析以及神经心理学和创造力测试来评估患者的卒中后生产力以及文本和绘画的空间分布。与年龄匹配的健康对照组相比,患者不仅在言语创造力任务中得到了更多有效的答案,而且在形象创造力任务中画出了更多的图像。最引人注目的是,70%的画作中,绘画图像位于右侧,而42%的画作中文本与左侧对齐。这种写作和绘画行为之间的分离进一步反映在患者在阅读测试和设计流畅性任务中的神经心理表现中。这种对中风后绘画作品增加的观察可能会创造一个新的术语,即“超描记症”,类似于超描记。此外,书写和绘画行为的令人困惑的分离突出了一个重要的新临床方面,即半空间忽视对书写和绘画的不同影响。
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Hyperzographia in Neglect Exposing a Spatial Dissociation between Painting and Writing—A Case Study
The paper depicts and describes the observation of a remarkable post-stroke production of paintings made by a 54-year-old, right-handed man who suffered an acute right hemispheric stroke. The patient’s post-stroke productivity and the spatial distribution of text and drawings were assessed by means of structural analysis of the paintings, as well as neuropsychological and creativity testing. Compared to the age-matched healthy control group, the patient did not only produce more valid answers in the verbal creativity task, but he also drew more images in the figural creativity task. Most strikingly, the painted images were located on the right side in 70% of the paintings, while the text was aligned to the left side in 42% of the paintings. This dissociation between writing and painting behavior was further mirrored in the patient’s neuropsychological performance in a reading test and in a design fluency task. This observation of an increased post-stroke production of paintings may coin a new term, i.e., “hyperzographia”, in analogy to hypergraphia. Additionally, the puzzling dissociation of the writing and painting behavior highlights an important new clinical aspect concerning a differential influence of hemispatial neglect on writing and painting.
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