{"title":"与谢尔盖·洛兹尼察的对话*","authors":"Jean-Michel Frodon","doi":"10.1162/octo_a_00485","DOIUrl":null,"url":null,"abstract":"Abstract Film critic and scholar Jean-Michel Frodon interviews Ukrainian filmmaker about his career, beginning with his training in mathematics and science (and the surprising connections between math and movies), his training at Russian film school, his relationship with various of his teachers, how he finances his films, and of course the films themselves, including Train Stop, My Joy, Blockade, Mr. Landsbergis, The Natural History Of Destruction, Maidan, Reflection, Austerlitz, In the Fog, A Gentle Creature, Donbass, and Babi Yarr Context.","PeriodicalId":51557,"journal":{"name":"OCTOBER","volume":"1 1","pages":"58-86"},"PeriodicalIF":0.4000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Conversation with Sergei Loznitsa*\",\"authors\":\"Jean-Michel Frodon\",\"doi\":\"10.1162/octo_a_00485\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Film critic and scholar Jean-Michel Frodon interviews Ukrainian filmmaker about his career, beginning with his training in mathematics and science (and the surprising connections between math and movies), his training at Russian film school, his relationship with various of his teachers, how he finances his films, and of course the films themselves, including Train Stop, My Joy, Blockade, Mr. Landsbergis, The Natural History Of Destruction, Maidan, Reflection, Austerlitz, In the Fog, A Gentle Creature, Donbass, and Babi Yarr Context.\",\"PeriodicalId\":51557,\"journal\":{\"name\":\"OCTOBER\",\"volume\":\"1 1\",\"pages\":\"58-86\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"OCTOBER\",\"FirstCategoryId\":\"1092\",\"ListUrlMain\":\"https://doi.org/10.1162/octo_a_00485\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"OCTOBER","FirstCategoryId":"1092","ListUrlMain":"https://doi.org/10.1162/octo_a_00485","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Abstract Film critic and scholar Jean-Michel Frodon interviews Ukrainian filmmaker about his career, beginning with his training in mathematics and science (and the surprising connections between math and movies), his training at Russian film school, his relationship with various of his teachers, how he finances his films, and of course the films themselves, including Train Stop, My Joy, Blockade, Mr. Landsbergis, The Natural History Of Destruction, Maidan, Reflection, Austerlitz, In the Fog, A Gentle Creature, Donbass, and Babi Yarr Context.
期刊介绍：
At the forefront of art criticism and theory, October focuses critical attention on the contemporary arts and their various contexts of interpretation: film, painting, music, media, photography, performance, sculpture, and literature. Examining relationships between the arts and their critical and social contexts, October addresses a broad range of readers. Original, innovative, provocative, each issue presents the best, most current texts by and about today"s artistic, intellectual, and critical vanguard.
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